Tuesday, December 21, 2010

best of 2010.

BEST 20 ALBUMS OF 2010:














20. frank (just frank) - the brutal wave















19. teebs - ardour















18. mark mcguire - living with yourself















17. inch-time - the floating world















16. goldmund - famous places














15. ólafur arnalds - ...and they have escaped the weight of darkness



















14. clive tanaka y su orquesta - jet set siempre














13. s. carey - all we grow














12. the wilderness of manitoba - when you left the fire














11. deer tick - the black dirt sessions














10. brown bird - the devil dancing














9. spoon - transference















8. wild nothing - gemini














7. local natives - gorilla manor















6. the arcade fire - the suburbs














5. four tet - there is love in you














4. surfer blood - astro coast














3. stornoway - beachcomber's windowsill















2. beach house - teen dream














1. joanna newsom - have one on me

Friday, September 17, 2010

battening

1.
the sun is peeling
another layer from its face
again. turning whiter.
blanching. removing itself.
retreating.


2.
the wounded earth,
bombarded summer-long,
healing itself with patches
of frost


3.
brittle, brown leaves
drifting, somnolent,
from exhausted branches
indifferent to landings


4.
pumpkins on porches
going to slumped rot -
static curls of wind
frantically crackling
at newly cold ears.


5.
the violent season is ending,
the violent season is beginning


6.
yesterday we watched
a squirrel nervously
gathering acorns
in the yard. stared at us
as though we weren't quite
there.

later,
looking at each other
in the same way,
we gathered kernels of warmth
and buried them
in our bedsheets,
and together
closed all the windows
in the house

Monday, August 16, 2010

T, X, & Z.

the bus south. the back of his head itches but he doesn’t remove his Celtics hat to scratch it. hours spent, music plugged into his ears, watching the terrible movies on the small TVs. wading in the shallow end of memory: the town he’s left, already acquiring a patina of crystallization, a light dusting of nostalgia, like cold dew. the faces of coworkers, of strangers, of friends, repeating like a crazed zoetrope behind his eyes. blink, reshuffle.

the landscape outside: gray. scrub. the charcoal blur of cars passing. the occasional backside of a factory or storage unit, cement scarred with lurid, cryptic graffiti. the music changes.

o

arrival, standing in the choked station, half-dazed & a little drunk. the weight of a backpack overstuffed with books, a notebook filled with attempted rhymes, and a hooded sweatshirt - his favorite, for years - slightly oversized at the hem & cuffs. he pulls it out and dons it, despite the humidity. takes comfort in the feeling of it, the familiarity.

the hum, roar & beep of his environs. the distant, bored sound of someone speaking informationese on a speaker down the concourse. for a distorted moment, he loses all bearing and

blink. reshuffle.

arrival, somewhat more disorienting than departure. the ordered, planned leaving of a place. the consolidation of possessions, the blueshift - now, here, at the axiomal center of Before and After … one could easily slip sidewise, disappear. with a gathered-up sigh, he plunges forward. can feel the rotation of everything under his sneakers.

in one of the five pockets of his jean shorts, there is a creased, college-ruled piece of notebook paper with an address on it. it’s in his own hand, crabbed & slanted. he’s been told that his penmanship belies an aggressive personality, that he is liable to strike out with the barest inclication of threat. that he is willful, chaotic, and, at times, insecure & creative. he doesn’t put much stock in “that shit” - which broadly & acerbically encompasses the fields of astrology, chiromancy, cartomancy, graphomancy & divination in any form. he’ll admit to the eerie accuracy of it, but decry any intrinsic value.

the address is given to the cabdriver. the fare is ten-fifty. he tips a dollar and steps out onto the sidewalk, shrugging on the backpack, jamming his hands in the pockets of his hooded sweater. disengages his earbuds & stares at the apartment building in front of him. he’s been told it’s not the “best part” of town, but it isn’t the worst. he doesn’t care. has lived in worse places. known worse people. been a worse person. that’s all in the Before. he is looking forward to the After.

o

X, as he prefers to be called (full name Xavier Theodore Dudelle) is standing against the wall, eyes closed & lungs full of marijuana. his thoughts are wandering in & out of closed loops, an unending segue. he never fully latches onto one before another bubbles up to the surface. sitting on the threadbare couch, he had become dizzy and needed to stand. he exhaled and it propelled him across the room to the wall, where he slammed his eyes shut and propped his body up with a sneakered foot. “fuck,” he says, coughing out a last tendril of smoke, “that’s good shit.”

he hasn’t heard the door open, hasn’t heard it close again, hasn’t seen the admittance of a new face. X opens his eyes. “shit. it’s you. motherfucker.”
 “I got a fuckin’ name, yo.”
 “Fuck you, dawg. I know you got a fuckin’ name. What the fuck are you doin’ here?”

he blinks. “this your place, ain’t it?”

X begins to laugh, doubling over, clutching his midsection. “you actually fuckin’ came. wow.”


“that’s what she said.”

a moment balloons, where X squints at him, something akin to aggression brewing on his face. it breaks as quickly as it formed, replaced by a broad, white-toothed grin - followed by a flood of customary, ribald admonishments. he ushers him to the couch.

gem club - animals

this is music that floats in the aether. a lover's finger down the ties of your spine, considerate, deliberate. perhaps it's the otherworldly collaboration of piano & cello, perhaps it's the twining of fragile voices. the union of both these things, describing the exterior of an egg. the egg is shivering & cracking, the new life inside straining to enter the world. this is wistful, this is ruminative. this is the delicate furrow of a brow, the disappointment in your mother's eyes when she catches you at terrible play. this is remembering that first time. this is looking at the last time. this is you, standing amidst the shards of mirror, staring into the empty frame. this is watching her disappear around the corner, hand still poised in the air, waving to someone either in front of her or to you, perpetually behind. this is eternal return, emotions etiolated to sugar glass on the point of breaking. it's so brittle when you hold it in your hands. just like memory. and just like memory, you end up with pieces.



Friday, July 16, 2010

"The Drinker's Dictionary," by Benjamin Franklin.

Nothing more like a Fool than a drunken Man.
Poor Richard.

'Tis an old Remark, that Vice always endeavours to assume the Appearance of Virtue: Thus Covetousness calls itself Prudence; Prodigality would be thought Generosity; and so of others. This perhaps arises hence, that Mankind naturally and universally approve Virtue in their Hearts, and detest Vice; and therefore, whenever thro' Temptation they fall into a Practice of the latter, they would if possible conceal it from themselves as well as others, under some other Name than that which properly belongs to it.

But DRUNKENNESS is a very unfortunate Vice in this respect. It bears no kind of Similitude with any sort of Virtue, from which it might possibly borrow a Name; and is therefore reduc'd to the wretched Necessity of being express'd by distant round-about Phrases, and of perpetually varying those Phrases, as often as they come to be well understood to signify plainly that A MAN IS DRUNK.

Tho' every one may possibly recollect a Dozen at least of the Expressions us'd on this Occasion, yet I think no one who has not much frequented Taverns would imagine the number of them so great as it really is. It may therefore surprize as well as divert the sober Reader, to have the Sight of a new Piece, lately communicated to me, entitled

The DRINKERS DICTIONARY.

A
He is Addled,
He's casting up his Accounts,
He's Afflicted,
He's in his Airs.

B
He's Biggy,
Bewitch'd,
Block and Block,
Boozy,
Bowz'd,
Been at Barbadoes,
Piss'd in the Brook,
Drunk as a Wheel-Barrow,
Burdock'd,
Buskey,
Buzzey,
Has Stole a Manchet out of the Brewer's Basket,
His Head is full of Bees,
Has been in the Bibbing Plot,
Has drank more than he has bled,
He's Bungey,
As Drunk as a Beggar,
He sees the Bears,
He's kiss'd black Betty,
He's had a Thump over the Head with Sampson's Jawbone,
He's Bridgey.

C
He's Cat,
Cagrin'd,
Capable,
Cramp'd,
Cherubimical,
Cherry Merry,
Wamble Crop'd,
Crack'd,
Concern'd,
Half Way to Concord,
Has taken a Chirriping-Glass,
Got Corns in his Head,
A Cup to much,
Coguy,
Copey,
He's heat his Copper,
He's Crocus,
Catch'd,
He cuts his Capers,
He's been in the Cellar,
He's in his Cups,
Non Compos,
Cock'd,
Curv'd,
Cut,
Chipper,
Chickery,
Loaded his Cart,
He's been too free with the Creature,
Sir Richard has taken off his Considering Cap,
He's Chap-fallen,

D
He's Disguiz'd,
He's got a Dish,
Kill'd his Dog,
Took his Drops,
It is a Dark Day with him,
He's a Dead Man,
Has Dipp'd his Bill,
He's Dagg'd,
He's seen the Devil,

E
He's Prince Eugene,
Enter'd,
Wet both Eyes,
Cock Ey'd,
Got the Pole Evil,
Got a brass Eye,
Made an Example,
He's Eat a Toad & half for Breakfast.
In his Element,

F
He's Fishey,
Fox'd,
Fuddled,
Sore Footed,
Frozen,
Well in for't,
Owes no Man a Farthing,
Fears no Man,
Crump Footed,
Been to France,
Flush'd,
Froze his Mouth,
Fetter'd,
Been to a Funeral,
His Flag is out,
Fuzl'd,
Spoke with his Friend,
Been at an Indian Feast.

G
He's Glad,
Groatable,
Gold-headed,
Glaiz'd,
Generous,
Booz'd the Gage,
As Dizzy as a Goose,
Been before George,
Got the Gout,
Had a Kick in the Guts,
Been with Sir John Goa,
Been at Geneva,
Globular,
Got the Glanders.

H
Half and Half,
Hardy,
Top Heavy,
Got by the Head,
Hiddey,
Got on his little Hat,
Hammerish,
Loose in the Hilts,
Knows not the way Home,
Got the Hornson,
Haunted with Evil Spirits,
Has Taken Hippocrates grand Elixir,

I
He's Intoxicated,
Jolly,
Jagg'd,
Jambled,
Going to Jerusalem,
Jocular,
Been to Jerico,
Juicy.

K
He's a King,
Clips the King's English,
Seen the French King,
The King is his Cousin,
Got Kib'd Heels,
Knapt,
Het his Kettle.

L
He's in Liquor,
Lordly,
He makes Indentures with his Leggs,
Well to Live,
Light,
Lappy,
Limber,

M
He sees two Moons,
Merry,
Middling,
Moon-Ey'd,
Muddled,
Seen a Flock of Moons,
Maudlin,
Mountous,
Muddy,
Rais'd his Monuments,
Mellow,

N
He's eat the Cocoa Nut,
Nimptopsical,
Got the Night Mare,

O
He's Oil'd,
Eat Opium,
Smelt of an Onion,
Oxycrocium,
Overset,

P
He drank till he gave up his Half-Penny,
Pidgeon Ey'd,
Pungey,
Priddy,
As good conditioned as a Puppy,
Has scalt his Head Pan,
Been among the Philistines,
In his Prosperity,
He's been among the Philippians,
He's contending with Pharaoh,
Wasted his Paunch,
He's Polite,
Eat a Pudding Bagg,

Q
He's Quarrelsome,

R
He's Rocky,
Raddled,
Rich,
Religious,
Lost his Rudder,
Ragged,
Rais'd,
Been too free with Sir Richard,
Like a Rat in Trouble.

S
He's Stitch'd,
Seafaring,
In the Sudds,
Strong,
Been in the Sun,
As Drunk as David's Sow,
Swampt,
His Skin is full,
He's Steady,
He's Stiff,
He's burnt his Shoulder,
He's got his Top Gallant Sails out,
Seen the yellow Star,
As Stiff as a Ring-bolt,
Half Seas over,
His Shoe pinches him,
Staggerish,
It is Star-light with him,
He carries too much Sail,
Stew'd
Stubb'd,
Soak'd,
Soft,
Been too free with Sir John Strawberry,
He's right before the Wind with all his Studding Sails out,
Has Sold his Senses.

T
He's Top'd,
Tongue-ty'd,
Tann'd,
Tipium Grove,
Double Tongu'd,
Topsy Turvey,
Tipsey,
Has Swallow'd a Tavern Token,
He's Thaw'd,
He's in a Trance,
He's Trammel'd,

V
He makes Virginia Fence,
Valiant,
Got the Indian Vapours,

W
The Malt is above the Water,
He's Wise,
He's Wet,
He's been to the Salt Water,
He's Water-soaken,
He's very Weary,
Out of the Way.

The Phrases in this Dictionary are not (like most of our Terms of Art) borrow'd from Foreign Languages, neither are they collected from the Writings of the Learned in our own, but gather'd wholly from the modern Tavern-Conversation of Tiplers. I do not doubt but that there are many more in use; and I was even tempted to add a new one my self under the Letter B, to wit, Brutify'd: But upon Consideration, I fear'd being guilty of Injustice to the Brute Creation, if I represented Drunkenness as a beastly Vice, since, 'tis well-known, that the Brutes are in general a very sober sort of People.

The Pennsylvania Gazette, January 13, 1736/7

Thursday, July 15, 2010

Elena

She collected him. His moods, his tics. Hoping that by this accrual of fragments, she would have all of him, would come to know him as her favorite protagonist. In this way he became real to her, and then, slowly, became distasteful. She had gone through myriads of him, always the same patterns, the same path walked down to dirt & scuff. She tested him with poetry, would savagely grind against him over a choppy sea of sheets, whispering Verlaine into his ear:

Pour toi, j’ai fait, pour toi, cette chanson,
Cruelle et caline -

&: he would draw away from her, like a ferry tugging out of its slip, harbour & islandward. She would stand on the pier, stone-eyed & silent

or: she would subtly inflame him with embarrassment, until he became a wizened cinder, one ember of pure hate winking furiously & impotently in her direction.

the latter, occurring with more frequency than the former.

there were, of course, variables to her algorithms: there had been the liar, the pervert, the honey-tongued rake, et alis.

after some time, their names gracefully faded from her recollection, and so, in conversation, replaced them with colors - most often, the color of the shirt she last remembered him in. (took an inordinate amount of pleasure in assigning the hue “Buff” to one ex-flame who commonly went sans shirt)

(now), she was largely alone. read books. he had gone weeks before, and though his name was Theo, she already knew him as Red. a pile leaned like a familiar lover to her right. from bottom to top: Lautreamont, Barthes, Nin, Rousseau, de Sade, Bachelard, Flaubert, Proust (Swann’s Way, trans. Moncrieff), Pound, Nabokov, Pynchon, Auster, Albee, Woolf - &, placed deliberately at the top like a capstone, Justine, Durrell.

she dreamed of violence. of monsters with no faces & yet, possessing maws agape with wicked fangs. they existed around her with no interest in attacking or devouring. she was ineffectual, had no import or bearing. a distant lighthouse faltered & extinguished, plunging her (in the ocean, treading water) into utter black.

the second drink went down faster than the first. she saw him across the bar in a t-shirt whose color she was unable to discern - some shade of Gray - (she had, already, Gray-with-an-A & a Grey-with-an-E.) his eyes were fastened to a paperback. in front of him, a sweating pint of beer and an empty shotglass with a thimble of amber pooling in the bottom. she decided he was Shale. craned her neck (over her Tequila Sunrise) to see the title of the book. the letters swam in her vision like guppies in a bowl. there were multifold creases, cracks, in the spine of the book - she rises inside of herself, throat arid with expectation, but cannot make it out. he coughs, lightly, and turns a page as if the book is porcelain. she slams herself back down into her seat, spraying her desire with the pesticide of negative thought and horrible outcome. “Another crayon in the box,” she sighs, and chortles morbidly behind a hand at the image it conjures.

“What’s that?” the bartender is someone she knows - it’s good-old-Randy, of the churl’s smile & the fool’s mad grin. she supposes he’s an attractive guy. ruddy. rangy. going to seed a bit in the middle as a result of a fondness for malty, thick beers.

“Another crayon,” she repeats, absently, twining a strand of hair around her finger.

Randy’s put something on the bar in front of her that rattles like candy. At first, she thinks it is candy. “I think we lost Black awhile ago, and Green’s just a stub. Keep ‘em here for Deb’s kid.” He scratches his beard. “Don’t know what you’d need ‘em for.”

She blinks, and stares him full in the face. Laughter trickles out of the corners of her mouth and she sucks on the straw until the Sunrise fades noticeably in the pint glass. “Randy, you’re a peach. Got any paper?”

They spend the next half-hour scribbling contentedly, with no real images or goals in mind, her with Cobalt Blue, he with Burnt Sienna. She drinks another Sunrise away.

o

ELENA HARRIS
152 CHURCH ST
5C
CITY, STATE
ZIPCODE

No return address. She turns the envelope over & over in her hands as if trying to ascertain its contents by touch alone. She is unsuccessful - for the most part. It is a letter, and it has been written by one Elaine Harris, now deceased. The letter contains a great deal of hand-wringing & apology, as well as funeral instructions. It is the last missive from a mother who feels the Kublerian-Ross finality of regret & is straining for some sort of redemption from her daughter. Despite the commonality of their surname, Elena has never heard of Elaine. Her mother’s first name is Linda.

The telephone rings and, at the same time, a small bird flies directly into the window directly to Elena’s right. This is the first time this has ever happened, and she is startled, dropping the letter from Elaine Harris to the floor. A small smear of blood on the glass pane is hesitantly extending a downward pseudopod like a recalcitrant explorer. The window is nailed shut, she cannot open it to clean it. The bird is nowhere to be seen. She picks up the letter anew and sits heavily on the couch; opting for the stifling silence rather than turning on music, as is her usual habit upon entering the apartment. It is sweltering on the fifth floor, though she would never live on the ground floor - prefers vastly to have a sense of omniscience by looking down on things, to be able to look out and over and up. The evening is a great nothing stretching out ahead of her. She has no plans. A sigh leaves her body involuntarily, sneaks out & away before she can catch the errant breath. She unzips her bag and pulls out the day’s acquisition: it is Derrida, and a battered, bruised copy of Baudelaire’s Paris Spleen, in a translation she does not already have. (She has two, and they sit next to one another on her bookshelf)

At that very moment, S. calls.

They lay in bed - S. & E. - letting their fingers traipse over one another. It is the bliss of post-coitus, and the world is white-gold all over. everything around them seems basted with the night, soaking it all in. The dark is liquid, pliable. She sighs, gathering air into herself and allowing it exit with a carefully moderated exhalation. He lights a cigarette and muses through the smoke. She isn’t paying attention, lolling like a primate in the glow, tongue hanging loose, body unhinged, splayed and akimbo on the queen-sized bed - that is, until he asks

“If I die, will you make sure they bury me with headphones on?”

She almost snorts her derision at the ridiculous nature of the question. His name is already Royal (after Royal Blue) even though the shirt he was wearing is crumpled on the floor. “I thought you said you wanted to be cremated.”
 He chewed the thought for a second, like a tough piece of gristle. “Well then make sure the photo they put in the funeral has me wearing headphones, okay? Music is important to me. I think I should be remembered with a symbol of listening to music. Or something. I don’t know.” He paused, as if immediately recriminate. “Am I making any sense at all?”

“You’re ruminating. It’s all right.”


“I’m not being too … self-involved?”


“No.”

“All right.” He sank contentedly back down into himself, resting his head more comfortably in the crooks of the arms folded behind his head. He seemed inordinately pleased with himself, like a cat in the birdcage, feathers sticking out of his mouth. She curled away from him, dissatisfaction staining her in the same way as wine stains teeth & tongue. He didn’t seem to notice.

o

She is discouraged. The world is this gigantic place she can only see one frame at a time, from the window of her screened-in porch. In grandiose moments, she refers to it as her solarium, replete with a moue of hand and mouth. she comes to smoke here in the early mornings, dredging herself out of sleep with a cup of english breakfast tea & a hand-rolled cigarette; curling on a settee found on the curb a block or so away. this morning, it is beginning to rain and it sounds dour to her. any other morning she would have elated in it, the insistent and tinny rhythm of the water on the roof and asphalt below, but this morning she is irritable and snappish, even at herself in the bathroom mirror. Her stomach is a weird sea of unease and her fingers are sticking to the cigarette. This is going to be a day where everything goes wrong, she decides, and stares down at the street below.

A man & a woman (call them Hannah and Brian … Livingston.) are hand-in-hand in leisurely promenade. Hannah is carrying a small purse, the color of which is offensively green, which offsets her offensively blonde hair. Brian is one of those perfectly cut-out specimens of masculinity, down to the tucked-in polo shirt and bermuda shorts. They go jogging together. They have separate lives but somehow always careen back into one another by evening. Hannah has dinner plans floating in her skull. She’ll cook that chicken breast in the freezer, season it with lemon & paprika, pan-fry it over some rotini and chop up some light vegetables. Some sort of vinaigrette. She knows Brian won’t be very hungry, but she knows she will be. A white wine for her - something of the chardonnay variety, and a Michelob Ultra for him.

Brian is thinking about his golf game, and the girl caddy with the brunette ponytail & white visor. Her name is Lola, and sometimes Brian finds himself humming the Kinks song of the same name as he’s teeing off. Watching and admiring her pert, round ass in her cream-colored miniskirt as she bends over to retrieve a ball. She has some Mexican blood in her.

Hannah is asking him a question. He hasn’t been paying attention, drifted, from her. He makes up a noncommittal answer and they pass out of sight, turning the corner.

She wrinkles her nose at them, unseen from her lofty perch, and turns away from the window. Dust catches in her throat and she gags involuntarily, swilling the last of the tea-gone-cold from the red & gold mug. This is going to be one of those days.

o

Around noon, the telephone rings. It’s an older-version cell phone, flip-phone, with no bells or whistles - the ring is seven long, impatient-sounding tones, in the style of an old receiver & cradle phone. She has to endure endless jokes & jibes at her expense when in mixed company, surrounded by a forest of people whose eyes are glued to their iPhones, or BlackBerries, or what-have-you. They make an alarming array of hoots and bleeps and she feels that the phones are having their own private conversation - moreso, even, than their owners. She has walked into a bar and seen the entirety of the clientele - all the way down the long bar to the bathrooms - with their faces turned down, illuminated by the eldritch blue of their devices. The tableau so chilled her that she immediately powered her own churlishly anachronistic telephone off and left it off until the next morning.

She doesn't answer it.

o

She waits with drink in hand for someone to leave, hovering near the first stool. There is a burly man occupying said seat, hands cupped around his pint of lager as if protecting it from possible spill. His hands are big enough to overlap around the backside of the glass. He wears a camouflaged trucker’s hat, sunglasses perched on the brim, a white t-shirt that’s seen better days, duck pants, and black workboots. Randy is tending the bar again, and it’s a busy night. She isn’t even entirely sure why she’s sojourned to the bar, with a half-full bottle of gin on the kitchen counter and a bottle of tonic in the fridge, but she’s here now and is determined to follow through.

(The day, as she had expected, was one disappointment after the next. She started to read, but found herself constantly distracted by minor irritants:

a strand of hair that wouldn’t lay quiescent (and so, deranged with a pair of dull scissors, chopped it right off), followed by

a persistent tickle in the rear of her throat, one that couldn’t even be dislodged by repeated coughing, followed by

the inability to find a comfortable position, even after re-arranging her body five major times and six minor times, while at the same time

scratching in vain the itch on the sinistral side of her lower scalp & consumed with the heat radiating from a tiny, cruel cut on the webbing between her dextral thumb & forefinger -

she had given up on comfort and threw herself out of the house without bothering to tuck her book under her arm)

The man in the camouflage hat shifted in his seat and emitted a rumbling belch, a low sound that he self-consciously muffled with the back of one hand before surreptitiously glancing around to see if anyone had taken offense. Elena was pleased despite herself at his furtiveness, declaring it an act of conscious chivalry, and when their gazes met, she smiled at him to communicate her approval. He nodded, somewhat awkwardly, and briefly touched the brim of his hat. She was again touched, and inclined her head in the same fashion.

Thunder, then, from somewhere in the stomach of the sky, and her neck twisted to give her vantage of the sidewalk and beyond. It had begun to rain, and unabashedly so, in heavy, full drops that splattered as they struck the concrete. When she turned back around, the man (she couldn’t call him White, she had one, and Whitey was out of the question … Camouflage wasn’t really a color so much as a color of colors - he had a dark beard, she could call him Blackbeard, but that’s breaking the rule - )

“Why don’t you have a seat,” he was saying gruffly, one hand attached to the underside of his chin, scratching.

She blinked at him. “Me?”

He shrugged. “Sure.”

“Very kind of you,” she said, but did not sit down.

“I have to be goin’, in any case.” He clipped the end consonants from his words like someone clipping a cigar, and she found it delightful for the first time since Maroon had left her, well, marooned, for some Kentucky-fried up-and-coming country singer.

“Thank you.”

“I’m Jeff.” He extended his hand. She could see the topography of his palm was heavily callused, a square shape radiating evenly measured and distributed fingers. From her minute-long dalliance with chiromancy, she recalled that his Mount of Saturn seemed unusually prominent, but couldn’t remember what that entailed.

“Elena.” (She was going to have to come up with a color for him.)

“Really?”

She blinked again, and fell into her habit of re-assessing the physical situation. The empty chair sat between the two of them. His hand was still outstretched. She bit her lower lip & took it in her own. He had a firm grip, but not overly firm - but not so restrained as to display a concern for her fingers. In fact, it seemed he hadn’t really thought about it at all - he simply extended his hand and did what came naturally. They squeezed, shook, and disengaged. Elena was becoming more thrilled by the minute. “Oh - yes. Really,” she said, bewildered by her brain.

Jeff nodded. “Never met an Elena before.”

“First time for everything,” she came back, gamely. He smiled, an easy smile displaying two rows of teeth whiter than his shirt. He leaned in, one foot up on the bottom rung of the chair, folding his arms over his chest. That worried her - she’d read somewhere it was a defensive posture, but seconds after the thought traversed her mind, he unfolded them and stuck a hand in a pocket, letting the other rest on the back of the chair.

“Yep.”

The silence fell like doors being finally breached by a battering ram. They both reached for their drinks at the same time. On the jukebox, someone was playing “Baby, I’m Gonna Leave You.”

Thunder, once more. Over her shoulder, Elena heard someone telling a story

“Jacky told me they’ve been finding wolves around.”

“No way. Where? How many?”

“No one knows where they’re coming from. Jacky’s friend Victor’s brother works at the police station and he told Victor that they’ve had twenty-five calls in the past two nights about wolves in people’s front yards.”

“No shit.”

“I shit you not.”

“Have you seen any?”

“Not yet.”
 and she felt a chill.

Jeff was fishing his wallet from his back pocket, settling up with Randy. Elena pinkened in the cheeks, averted her eyes. “Be careful,” she heard herself saying.

“What’s that?” Jeff turned around.

“There’s wolves.”

He blinked. “Sorry?”

“I just … “ she was motioning over her shoulder when she realized confessing to eavesdropping wasn’t the most attractive trait - did she even want to seem attractive to him? - “I heard. Someone.”

“Wolves.”


“Yeah. In … in the streets.”

He laughed, quietly, and she knew instinctively he wasn’t laughing at her but at the absurdity of the statement. “I’ll be careful.”

“Okay. Good … then. Please do.”

Jeff tipped his hat to her again and exited. She watched him go, admiring his gait, which was slow without being ponderous, deliberate but without pretense. “Thanks for the seat,” she called out, as if to trip him up, but he just waved over a shoulder & the door closed behind him.

and finally, the electric herald of lightning, God’s Holy Camera making a Kodak moment out of the rain-slick streets.

(around the corner, in a garbage-strewn alley, a brindled gray wolf slavers over the corpse of a small cat)

o

she wakes up alone, on the couch in the living room, dazed. feels the hangover brooding like a hurricane just off the coast of her frontal lobe, tracking a slow & painstaking path down behind her face. her mouth is dry and her palms are clammy. she isn’t quite sure how she made it home - can’t remember much after the fifth drink. she remembers the rain ceasing. something about a pregnant mother.

her dreams were vivid and made little sense: she had somehow made friends with a ball bearing, which had sentience, moved of its own accord, and rolled tenderly up and down her body at night. it lived in a small cup on a porch just outside her home, and one day, the cup was thrown senselessly away. her heart tightened as she recalled the dream-moment she discovered, heavy inside of herself with knowing, the absence of the cup, the ball-bearing’s home. some vicious personage had thrown it into the yard, which turned into a salvage lot, which was also somehow a beach. she became obsessed with finding her friend, and years passed with her crawling on her belly through the short grass, the tall grass, picking through the twisted, rusted metal of the junkyard, eventually beaching herself by the indifferent waves. a grain of sand, blown by the wind, tickling up her bare arm - a startle of joy, ecstasy, seizing her by the insides, recalling the sensation of her friend - but an arrogant gust of sea-wind tosses it callously away -

She is wiping the tears from her eyes with the back of her right hand. The rain has stopped, but she can still hear fat, loner drops plunging from the trees’ broad leaves to the unforgiving asphalt below. Fog brushes its belly over the streets of the city. She hauls herself from the couch and prepares some tea. Goes through her morning ablutions, lost in a swirl of imagery. Stares at herself blankly in the bathroom mirror and doesn’t quite recognize the face looking back. She is expressionless but her eyes are red and the skin around them swollen as though needing the pinprick of a lancet.

Later, she sits down to breakfast, and a magazine from months ago.

Later still, she sits, smoking a damp cigarette made clumsily the night before, on her porch.

The possibilities of the day stretch out in front of her, coalescing in the same manner as the fog.

She is waiting for the sun to burn it away.

She is in the habit of making lists.

Tuesday, July 13, 2010

the drunk asked me what i was writing & i said "amores perros."

she asked him politely to stop. he did not. she asked him again, and still he did not. a third time & the din & hum of the bar and its concourse. she fixed him in ice and he writhed within her constraints. almost enjoyed the bondage of it. when she eventually turns away (as they always do) he feels a deeper chill, one that ossifies the blood in his veins. he orders another beer & another shot of tequila. the scathe of the booze riots without recourse, metastasizing through the empire of his circulatory system -

Tuesday, July 6, 2010

an aubade

i never liked it when you laughed. you had a horrible way of snorting that you weren’t ashamed of but which i was, for you. you said you didn’t mind, you thought it was cute. when you sang and went suddenly off-pitch i cringed and my eyes watered. these were things i could not control. i wrote about them in a journal that i kept online. i try to remember the things about you that i like but i keep coming back to the ones i don’t. you leave your clothes on the floor in the bathroom when you’re done with your shower & you always throw the empty tins of cat food in the sink. you’re in a rush on your way to work. you don’t like to talk in the morning but when you come home in the late afternoon you’re bursting with conversation like an overripe tomato, squirting rumor and the daily happenstances like juice. all i want to do is get high and listen to music, because the last thing in the world that i ever want to do is talk about work when i return from it. i learned to do this from my parents, who kept the two worlds of work & home disparate from one another and said it was for my benefit. it worked up until my mother got fired for blowing the whistle, which is the night she locked herself in her bedroom but i could still hear her crying.

you hate your hair and always want to cut it really short. you know i like it long. you confide to me that the day we break up is the day you cut it all off. i make some vague allusion to samson & delilah and you tease me with that term of endearment you know i hate.

we’ve been together now for long enough that we live together. you leave the top off of the jar of honey and sometimes i think you do it on purpose. i hate the feeling of sticky things and protest most uses of tape or glue. i prefer staples and paperclips, you like rubber cement & adhesive. i’ve tried to read into this but you say it isn’t true and giggle behind one hand whenever i bring it up.

we get high together and sometimes when silence falls i enter into the loquela and i start aiming questions at myself about you. i watch how you shift in the chair and chew at a fingernail, then jerk your head to the side when you hear someone on the street outside passing by loudly. our cat mimics you and flees the room with wide, panicked eyes. the way you sit, twisted on top of one leg, hand straddling the armrest as if ready to heave yourself out of the chair at a moment’s notice. i remark on it and you laugh uncomfortably, resettling in a different position. sometimes when i make my observations you look hurt - your eyes darken & you go somewhere just inside of yourself for a small while. you always make the effort to return, though, and smile sunnily as though it never happened.

i worry about you when you’re drinking. you can hold your liquor but any one thing can happen and send you flying, teetering, in a flurry of expressive nonsense punctuated by wild gesticulations and the occasional snorting laugh. you like to hug when you’re drunk, and it’s all right by me but i fear sometimes my irritation is on display. i’m not a very good liar, and you still don’t know this after all this time.

and then we’re someone, the two of us: we get referred to as a singularity, a meiotic cell stuck in metaphase. our hands are fastened together like old baucis & philemon’s trees, firmly, forever, and, like all men, i get nervous at the notion of eternity.

o

i’m changing my name & you’re all for it, enthusiastic & gung-ho. you even fight those little skirmishes for me when friends neglect to heed the shift in nomenclature, standing up like a stormcloud & reminding. there is usually a form of apology or honest recrimination: names are a hard thing for people to remember. once you are who you are, there’s no sideways motion. this morning i was reading about the sun & how it works when it began to rain, and you came in with a mug of coffee and the cat innocently obstructing your path. i could smell the tequila on your breath before you came into the room. i said something about how i felt like i experienced differential rotation even though i was matter and not plasma. you took me seriously for once & we talked about coronal ejections & the magnetic shield of the Earth; of the heliopause & its termination shock; and of the silent, electric whispers of the solar wind. we fell quiet & you laid your head on my shoulder. you have scars on your arm: raised, perfect cicatrices laid like railroad ties near up to the inside of your elbow. a tattoo does not hide them, as was your self-confessed intention, and instead draws attention to them. i kind of love seeing the reaction on strangers’ faces when they notice your handiwork.

sometimes i imagine you like a museum that i am leading a tour of. we are in the bar and you are by my side, drinking with great haste through a plastic straw a very stiff pint of something with bourbon. i am nursing a beer and watching you throw yourself to the conversational wolves again.

o

lately you drink bourbon and i drink gin. we go to the same bar every night, or every other night. you get drunk a lot lately and it makes you amorous. we clamber into bed and fall all over one another, unable to manage our breathing. there’s a lot of quick, flurried laughter that abates once we busy our mouths with each other's lips and tongue. in the hours toward the morning you tell me how you laughed at your aunt’s funeral and how your family hated you.

you think i’m overly aggressive sometimes. you say i can be an asshole and i like it. you like it too. you wear a goofy grin and punch me lightly in the shoulder by way of both admonishment and flirtation. i have conversations with other girls who are bombed on red bull & vodka, who teeter on their heels and ask for a light. explosions of chatter while they twitter on their iPhones and BlackBerries. take pictures of their martinis and post them on their FaceBook. i am making fun of them and they are too wasted to recognize it. you don’t approve, but you don’t disapprove.

& there is always something missing between the two of us. you think it’s dissatisfaction & i think it’s boredom. this town is too small to hold our interest. we make plans to go away, to leave for a proper city. we have been doing this for months now. sometimes you tell our friends that we’re leaving and they express polite surprise but know we’ll do otherwise.

a terrible thing happens somewhere in the world & you are heartsick at it. you volunteer to help in the relief effort and urge me to do the same. this, i fear, is the change that could wreck us. i do not have your level of empathy, but i respect it. i idle in circuitous forms of conversation regarding the terrible thing, i hypothesize on it. i do not have direct conversations regarding the facts, and beg off when it surfaces in the stream of conversation. it is the same with politics and religion. when pressed, i invoke an old scrivener’s paradigm: i would prefer not to. you make your disgusted face at me and ask my opinion: should you go? you explain you’ve never felt so strongly about something in your life - ever. i accept and understand, and everything tells me to tell you to go, go because you know it’s going to make you feel good about yourself and who couldn’t do with a little of that these days, right? but i don’t say that, i don’t tell you those things, i just shrug and say that it’s up to you. it’s your decision.

but it’s your decision too, you say, and your voice feels like an invisible fingertip pressing on my forehead. don’t you want me to stay?

of course i do, i am replying. of course i do.

then i will, you sigh.

you end up going, two weeks later. you leave a note on my pillow, like a movie. it’s brimming with apologies, thorny with your moral agony, and finally resolves itself with a firm dictum of stated intent. you’ve signed it with a heavy hand. at the terminus of the last looping L, the ballpoint of your pen (never pencil) has pierced the thin paper. it looks like you were writing it on your thigh.

you have a terrible habit of misspelling “enviroment”.

o

you are writing a screenplay about it, you are endlessly typing away in the next room. the weird plastic chatter of your laptop’s keyboard. i am watching the rockford files and drinking a Narragansett. while you were gone i had a fling with an old girlfriend and i am fat with the guilt of it. you are absorbed with the clippings of newspapers, your journal entries, the photographs. you talk about it constantly, what it was like, and all of our friends listen. some of us have heard it more than twice now. we allow it but it is wearing on us. or perhaps it is only me.

i lie in bed. you are typing. i pull out my laptop and type, too. to drown out the sound of you with my sound.

you are tired all the time now. you’ve cut coffee out of your diet and i hear constant remarks on how ‘subdued’ you seem. your sleep is at awkward hours, and never for very long. the bulb on the desk lamp has burnt out and been replaced. it was an old bulb. you come to bed at sunrise and seem physically wracked. some nights you sit on the edge of the bed and stare out the window at the world outside blinking its eyes and stretching.

you don’t talk about it anymore. you close the door when you go into the other room and i do not hear the sound of your keys. i go to the bar alone more than i used to. my friends urge me to ask you about it, to talk it through. i don’t know how to tell them i don’t know what to say. the cat and i have become better friends. it used to hate me.

o

you’ve finished your script. it’s terrible. i tell you otherwise. you tell all of our friends that you’ve finished and they congratulate you but when you continue talking about it they go slightly blank and have to maintain their smiles. you don’t know what to do next. i recommend a book i’ve just read and you say you don’t want to read anything right now. you take up painting for awhile. our house is filled with easels and canvases. they’re all violently blue - all you’ve bought for oils are deep prussian and viridian, cadmium white. you are uncontrollably painting the ocean, over and over, from near-benthic to littoral. i am surprised at how good they are. you leave your palette to one side, still smeared with the mix of hues. one morning over breakfast you tell me you’ve been dreaming of the ocean. you don’t know what it means and i tell you it doesn’t matter what it means, it matters how it makes you feel. you confess that it scares you.

reports are still coming in about the terrible thing, and you refuse to listen or hear about it. you shut off the television or walk out of the room or leave the table. you are unhappy inside, and it’s beginning to show.

o

i am talking to you across the kitchen table. you are pretending to be listening to NPR. the cat is nowhere to be found. the television and the radio are both on. i am talking to you about dinner plans. you tell me to stop and i do, but suddenly you start yelling. you snap in a million places. you are white-fisted fury & froth. i am afraid you might hit me and a part of me wants you to. i let you roil for as long as you need to. the bells in the Polish church down the street are ringing for Saturday Mass.

Sunday, March 14, 2010

some spleen

the night's sullen candor,
purpled & inveterate.

1.
irascible moon, high &
lofty, powdering its face
just to disdain its suitours.
how proud! how haughty!
she tilts her face to the sky,
uses it for a mirror -

2.
manic sun,
halitosic on the streets below.
teeth long since rotted out.
vibrates in the heat-static of the sky,
spits & convulses
like an apoplectic madman -

3.
the white capillaries
of lightning snake across
the gray cheeks
of the bulbous clouds;
thunder provides the soundtrack
to their rhexis

4.
the wind:
a hundred invisible strangers
rushing importantly by -
fearful, frustrated, unconcerned,
solipsistic -

& the philosopher-drunks
all imitating Diogenes,
frothing at the mouth,
inventing new dances
on their sojourns from one bar
to the next -
from tango to dervish

5.
and,
inevitably,
the brontolalia
of blood rushing in the ears,
the insistent rhythm of the heart
seizing dominion over the head -

(a coup de tete!)

- & again!
the vulcanized needle of lightning,
sewing up the skin of everything
with its effulgency,
disdaining the gray hush
of dusk & dim,
yet despite,

"luxe, calme, et volupté"
a half-second later.

Tuesday, March 9, 2010

a very brief story for a friend containing or circumlocuting the word "intrigue"

the lonely walk home from the bar, the drunken stagger, the sudden recalculate & regroup as one foot bismehaves, slips right as if drawn to a sullen, clandestine magnet just behind that streetlight, that trashcan. tongue heavy in the cave of the mouth like a hibernating bear. eyes like fish in a foggy bowl. somewhere, deep in the recesses of the brain, there is a headache blooming like a bruised flower.

it is on the corner of Lux and Scorro that they meet. red light, imperious DO NOT WALK blazoning from across the asphalt, yet no cars. she comes up behind him, tilting slightly, waifish, giggling to her intertwined fingers held just before her mouth. he turns his bleary eyes over his shoulder and she lifts her gaze. she wears a hat just slightly askew on her head, a dress she's made herself, all patchwork & crazed sew. "d'you got a cigarette?" he asks - or thinks he does, she is fishing in her little clutch, withdrawing a battered pack of parliaments.

"i don't smoke," she says. the light has turned green and a single car whizzes by, too fast. "i don't know what these came from." she tilts her head like a dog listening for a distant, tinny sound. "where. they came from. here." she proffers the pack.

he accepts them even though he smokes camel filters. "thanks." returns his attention to the car-less boulevard. "guess we could go."

"no cars," she lists back and forth a little, whether on purpose or not he can't tell.

"are you drunk?" he demands to know, somewhat imperiously. the timbre of his voice spirals upwards like a minaret.

"no." she narrows her eyes at him. "are you?"

"no, i'm jeremy."

the silence acquires a patina of frost, which abruptly thaws with the sound of her laugh, a brittle thing that seems to spider out of her before growing louder and ceasing, altogether too abruptly. "i'm corie." she extends her hand, palm down, and he takes it in his. his palm is callused just above the mount of saturn, and encountering this with her forefinger she frowns and withdraws.

he scrutinizes her face. just under her right eye is a quick pale scar that seems to flicker beneath the skin like a minnow in the shallows, wriggles when she winks or smiles. she averts her gaze.

the light's gone red, the admonishment of DON'T WALK has turned to the beneficent white man's outline. they begin to walk, steadied by each other's presence. "do you live in the west?"

"depends on where we are now," she retorts with a crooked smile.

"almost west."

she nods, and they proceed. towering over them to the right is a hospital: every window is dim save for one, stained with the silhouette of some lonely patient looking east, waiting for the sun to rise. the driveway in is stippled white & red lambent by the neon proclaiming EMERGENCY. somewhere around the corner, a dog's collar & tags are jingling. "you didn't answer me," he says.

"yes," she pauses. he is a head taller than she. something about the fringe of his brown hair sweeping across his brow she doesn't trust. that and his hand. "on purpose."

"well, aren't you just the..." he trails off. "i got nothin."

she laughs despite herself and they continue until they part at the corner of Oyll and Vinniger. neither note the irony.

Monday, March 1, 2010

t.a. miercoles, fragment

t.a. miercoles, born at the hiccup of midnight on a tuesday, was putting himself in order in front of the mirror. he averted his eyes from his own gaze, finding something particularly unnerving about the way he stared at himself. running a comb through his hair, he turned away and sighed. the phone rang and he ignored it. some music was playing on his computer that he wasn't familiar with, yet he didn't stop to ascertain the song.

he had long flirted with the idea of leaving the town, but somehow had stuck to it like a barnacle. he preferred to spend his time alone, though found himself from time to time besieged by the urge to integrate himself into the social continuum. these urges passed, though not without leaving a slimy track of self-loathing across his brain. he spent most of his time asleep, though not by design, and slept the longest when he fell into it accidentally, propped in a chair awkwardly before his desk. after midnight, if he had put sleeping clothes on and slid beneath the sheets, he would lay awake for what seemed like hours, eyes pinioned open, fixed on the ceiling, waiting for a dream to sneak up and ambush him. he wouldn't call it insomnia. he slept enough.

and when he slept, he dreamed: big huge dreams, vivid dreams that destroyed him, his loved ones, the world. he escaped from cataclysm as many times as he fell into its gaping maw, talked wordlessly to strangers he had met before. little girls with pink tongues danced slavishly around maypoles. buildings collapsed and triads of old women fumbled foolishly with knitting needles while pointing and laughing at his tireless effort to save someone from the rubble.

the waiter's monologue

"hey guys, how are you today? anyone? okay. can i start you off with some beverages while you're looking at the menus? yeah? no, we don't have sam adams. no. we don't have any sam adams at all. miller lite? no - we have coors light and bud light. bud light, okay. for you, ma'am? hot tea? no - sorry, we have iced tea, but that's it for tea. just water? okay. and for you, sir? water with a lemon. oh, you want a lemon too? sure guys, i'll be right back with your drinks. let me know if there's anything else we don't have that i can't get for you."

Monday, February 8, 2010

sunday prompt: message

every day she put a letter in the mailbox of the abandoned house. the look on her face: determined, deliberate. her stride, nonchalant, affected slightly, even in the hop up the steps to the front door. the kind of thing that you see when you have a window on the first floor. the passersby and their idiosyncrasies; the hasty gait of someone late to an appointment, the swagger of the youth, the hesitant, cramped dodder of the elderly. those walking dogs or hands fastened securely to children. and this, every day, mid-afternoon, the girl who puts mail in the mailbox of an abandoned house. gotta be crazy, right. one of those people kind of soft in the head who walk the same block three times talking to themselves or shouting obscenities at ghosts. but he's never seen her anywhere else, even in this little fist of a city. just the same time every afternoon.

he's only just moved into this apartment after a particularly nasty break-up that he swears isn't his fault but knows secretly inside, like a rotting fruit, that it was. he had become distant in the final months, felt his eyes and hands wandering. never committed an infidelity but dreamed he had. guilt stained his mouth and teeth. spent more hours in the studio, at the bar. bourbon after bourbon. then, tipsy and wilted, stagger back to the easel and the paints and the inks and outside, the night crashing down all around -

he had a tickle in the back of his throat. the girl was going away again, back down the street headed west. he drummed his fingers against the wall and pulled the curtain back. kept drumming. gnawed on his lower lip with his sinistral incisor, a nervous habit he had picked up only recently. something about the sensation of constantly biting into meat, maybe.

before he knew what he was doing, he had zipped on his sweater, his vest, was out the door, cigarette and lighter in hand. the cold rushed into him like a linebacker and he unconsciously grappled backward for the doorknob, slamming the door shut behind him. the wind was anxious, multi-directional, sweeping to and fro with a vengeance. god's broom, he thought idly, and was out the side gate with cigarette burning feverishly in his mouth.

the house had stood there, empty, for as long as he had lived in the town. there's always a house like it in every town, no matter how small. untenanted, condemned, landlord overseas. the kids don't even go in there to smoke weed and drink budweiser. the walls are curiously graffiti-less, you can see through the naked windows. it's almost as though the house occupies negative space, somehow escapes everyone's notice. everyone but her, of course. he climbs the steps one at a time, carefully, as though afraid the wrong foothold will cause the entire thing to come crashing down - or worse, fold into some sort of clichéd dimensional blip like the house in Poltergeist.

the mailbox was closed. a small metal box, black paint flaking off to reveal the mottled steel beneath. he opened it and looked inside. there was only one envelope, smallish, neatly creased. he had expected more, for the box to be overflowing with dead letters, and was surprised. he withdrew it from the box and let the lid clang shut. both sides were curiously blank, yet holding it up to the sun revealed there was, indeed, a letter inside. he hesitated, then left the house standing there, ducked down the steps two at a time and dashed back through the side gate. once in the lee of the house and the wind, he crouched over his find and stared at the back. could be anything in there. might not even be in English. he opened the envelope.


i hope you're getting these. i can get away from them for exactly the same amount of time at the same time every day but for no longer. you were right, they are watching me

love,
e


the wind whistled around the corner of the house and he jumped involuntarily, fumbling with the cigarette. it dropped to the ground and rolled away, winking like a villain, under the porch.
he stared after it for a long moment, then folded up the letter and returned to the house.

the cats were being affectionate when he re-entered, butting their heads against his shins and purring like twin jet engines. he bent down and kneaded their backs with his knuckles and they butted his fists with their jaws. they had been Rose's cats, but the apartment she was moving into didn't allow pets (landlord, childhood trauma, long story) and so, having had grown fond of at least one of them, took them with him. they had named them Fergus and Molly.

he absently gave the two some dry kibble, mind completely elsewhere. his phone was ringing, he could hear its insistent, childlike warble coming from the other room, but he didn't bother to answer it. the cats muscled their way into the bowls and began to crunch happily at their snack.

it had been Rose. of course. around that time of day, she gets lonely. gets bored. he knows her, knows her almost to the point of transparency, to the point of near-boredom. she's going to want to ask what he's doing tonight. does he want to go get a drink. does he want to just hang out and watch a movie? and all that everyone is talking about is how it's a season of breakups, always right before Valentine's Day, right? landlords must be making a killing, he can hear himself reply, rehearses the joke, knows she won't get it, will say it anyway.

so he doesn't call her back. not just yet. he knows himself, knows he'll get bored too. waiting for it to snow - it's supposed to. a right nasty blizzard tonight, coming in from the great white north. he's heard both the bum report and the weather stations. everyone is anxious, hand-wringing. he isn't worried. hasn't happened yet. the threat of a toothless dog, this winter, so far. has been the dominion of ice. lots of passersby on crutches this season, poking and staking their way down the narrow, root-heaved sidewalks. sun hasn't even gone under the trees yet. gets cold when it's dark, real cold.

he kicks off his shoes and sits down heavily at his desk, turning the letter from "e." over & over in his hands. he's already decided she's a crazy person, pirouetting in her room at her apartment at this very moment, mumbling to herself about Them and They and the constant, watching eyes. but that was just it. she didn't look like a crazy person. and why hadn't he ever seen her anywhere else? he leans back in his chair and sighs. feels like a detective. a weird, secret joy has blossomed in his brain. he grabs a pen and tears a corner-scrap from the huge pad of newsprint paper. writes

a cautionary tale

and stares at it for a long time. chews on the cap of the pen. drums a beat on the desk.

o

"so what if she's not crazy? what if this is a real thing?" the dialogue had gotten beyond the simple facts of the case to a drunken hatching of conspiracy theory. they had been talking for hours, beer and shot and shot for shot. listing like sailors on their barstools in the largely empty bar. the huge plasma TV was, as usual, showing the game, and Darren kept glancing at it, away from him and the conversation. someone was playing a lot of Foreigner on the jukebox.

"i don't know. it just doesn't seem ... i mean, how long has that house stood there?"

"it doesn't have to be about the house, though. haven't you ever read any Len Deighton, or, Tom Clancy, or any of those guys? haven't you ever seen a spy movie?"

"oh, so now you think she's a spy?"

"no - dude - i'm just saying. spies use abandoned locations for their mailboxes all the time. think about it. what better place to have a secret mailbox than a mailbox nobody ever uses?"

"well ... why not just e-mail? encrypt it or something."

"dude, you know that shit gets tracked," Darren said, slamming his hand on the bar as the game suddenly took a turn for the worse - "hacked, even," he added as an afterthought. "dude probably destroys the letters after he gets them."

"how do we know he's even getting them? i never see anybody else use it - and i've watched."

Darren shrugged, took another pull of his pabst. "just because you don't see something don't mean it's not happening."

"still."

"you don't think there's crazy shit happening out there in the world? people die, get hunted, fall down, break their skulls in their showers, get in car accidents, break up, divorce - " he cut himself off, slanting his eyes at him. "sorry dude. didn't mean - "

"it's fine. i'm not a wreck or anything over it."

"yeah. i noticed."

"she keeps calling. wants to hang out."

Darren shook his head, back and forth, solemnly, intoning, "women."

"yeah."

they lapsed into a silence, both with their eyes to the television. Darren's fist on the bar, again, and the startled eye of the bartender roving over in their direction. "maybe i should take a picture of her," he said, half-mumbling into his chin-rested fist.

"because watching her isn't creepy enough," Darren quipped.

"you would too."

"fuck yeah. you know i would. is she hot?"

he frowned. "yeah. i mean. yeah."

"maybe you should just go talk to her."

oddly enough, that hadn't occurred to him. "that hadn't occurred to me."

"dumbass," Darren said, affectionately, and punched him lightly in the shoulder. "did you forget you're single now?"

"dude. i don't want to ask her on a date or anything. i just want to know what's going on."

Darren laughed, a full, throaty sound that wriggled around his adam's apple and came easily out of his mouth. "then just keep watching, i guess. no help for it." he paused. "you could just keep stealing the letters."

he nodded. "it's just too weird, right?"

"you're kind of a weird-magnet."

"thanks. dick."

"any time," Darren replied, cheerfully. "goddamnit!"

o

midnight, sloppy drunk. parted ways with Darren at the corner of Gray and K____, stumbling only once over a too-long step over an ice-slick. no falls though. he had begun to hiccough, and the wind was causing his eyes to water. he was half-thinking of a half-finished painting that had lain on the easel in his studio since he'd broken up with Rose. a girl on a staircase, hands clasped to her breasts, dark hair flying. something in her eyes. he felt guilty finishing it now. half of it remained pencil lines, smudged by the meat of his right hand. like a building with the scaffolding left on it.

in the house and wading through the feline miasma, he realized he had left the letter at the bar. could see it in his mind's eye, resting on the open envelope, right beside the emptying pint glass. "fuck," he said out loud, and sneezed violently, so hard he stepped backwards in the dark, much to the dismay of Fergus, who yowled in protest as he scampered out of the way, eyes luminous and mistrustful, flashing like warning signs on a wet highway. he fell into bed with his clothes on and regulated his breathing, eyes wide, staring at the ceiling. rising, falling. rising, falling. his eyes went to the window, curtain still coyly masking the night.

he got up and listed toward it, pulling the side of it just far enough away that he could see into the windows of the house next door. nothing stirred. the sky was scaled with gray clouds, moving heavily and ponderously. the wind rattled bits of stray refuse - an empty bag of chips, a crushed soda can, a newspaper - down the street. a shadow within the window's frame. moving. he riveted his attention on the scene, hand fisting tightly around the curtain's edge, keeping it firmly in place despite his drunkenness. something was moving inside the abandoned house. he squinted. just kids, probably. but he'd never seen that before. but just because he doesn't see something doesn't mean it doesn't --

no. it's nothing. it doesn't repeat. all he has is this tiny thing. can't trust his senses. he pulls the curtain back in disgust and collapses back into the bed. snaps off the music, even. curls into the sheets still fully clothed and refuses consciousness.

o

she doesn't come back.

this is the seventh day now. she hasn't returned.

he has watched. he has developed a habit of checking the mailbox on his way home from work, on his way to work, when he smokes a cigarette. he is knotted up inside with worry that she has been caught. he knows it's his fault. gnaws on his lower lip until it bleeds. if he just hadn't left the letter at the bar. they found it.

no. that's crazy talk. there's no they.

he has moved his chair to the window. he sits there hours a day, watching. waiting. it had snowed the night after he lost her letter, snowed just like they all said it was going to. the landscape had gone from naked and icy to plump, voluminous hills of white, miles of blinding white expanse no matter which way you looked. there were no footsteps up the stairs to the abandoned house and its mailbox save for his, ever. perhaps she's only snowed in.

on this day, he is writing a letter:

dear e. (whoever you are)

i'm sorry. i hope you are okay. i hope this isn't my fault. there's no such thing as They


and crumpled it up and thrown it out and is writing a letter:

dear e.

i am receiving your mail - hope this finds you well

love to you

and crumpled it up and thrown it out and is writing a letter:

dear e. (whoever you are)

i live next door. i found your letter and i stole it and i lost it and i'm sorry. please forgive me.

yours,
J.


he stares at it, his crabbed, messy handwriting, and sighs. looks back out the window. watches til the sun goes down. the sudden, shattering ring of his cell phone. he ignores it. lets it ring until it, quite suddenly, doesn't anymore.

Saturday, February 6, 2010

a poem in pieces (while intoxicated, on coasters)

so this guy
& this girl
look

at each other
& laugh

at how drunk
they both are
then

write haikus
with vomit

Monday, February 1, 2010

sunday prompt: milestone

the invention of a milestone:


in place of an albatross he wore a millstone
around his neck. suffered through
the blinding sun and the twisting highways
and the dusty backroads,
head hanging and back straining
a torrent of sweat cascading
between sharkfin shoulderblades

he has come to this place,
read the sign that says
WAY STATION
and has halted, unsure.

there is an old building,
falling down around itself.
the sun cackles and crackles
and ascends like a madman who
runs up and down the same stairs
every day,
gibbering.
he is deafened by its noise,
folds himself into the station
and sits in the dust
and in the dark.

he has come in search of
Away,
and has yet to find it
but knows he is closer
than he ever has been.

he has named his shadow,
has given it a name in order
to control its waspish tendencies to
stretch out in the direction
he has come,
to sneak inside the soles of his shoes
and hide.
he has called it Miles,
somewhat frivolously.

he talks to his shadow, addresses it.
scolds it through cracked, dry lips
and with a lumpen tongue -

at night, in the cold,
her ghost: a pale blue shiver
like a pilot light about to go out.
parts her lips to speak
or kiss
and is gone.

in the morning he is walking again,
struggling with the weight of his millstone.

at half-past noon,
he unknots the rope and hurls it
as far from him as he can.
it lands and lays
like the shatter of Ozymandias,
quiescent. still.

he walks away
and leaves it to be covered
by the shifting wind

Sunday, January 24, 2010

sunday prompt: yes

cold blue sky. naked trees and their sluggish blood. the careful step of pedestrians on ice-mottled sidewalks. two snowstorms that year, and now with trepidation, inching into February. even so, less than it has been. she remembers years with towering snowbanks, drifts up to the second story of houses. she mistrusts this memory, but sees the images with such perfect clarity that it's hard to remember otherwise.

she keeps her desk by the window. a small third-story apartment, looking down onto the street from a large gablefront house. a streetlight flanked her view and in the night provided a constant eldritch glow through her blinds. she slept to steve reich's 'music for 18 musicians,' lulled by the oscillations of tone. though it is a small town, no one knows her. she works alone in a silent bookstore with a silent owner and goes diligently home after every shift. she makes enough to live alone. doesn't even have a cat. goes back and forth to the refrigerator for a glass of milk. sits on the side of her bed and stares into the dark, not a thought in her head.

she writes at her desk. there is a small lamp that burns at 40 watts. there is a scattering of utensils, pens of many colors, pencils of varying lengths. looseleaf paper is piled in the left corner, written all over in her crabbed, furious hand.

she looks up. the snow is falling again, lazily, pinwheeling like performers through the limelight of the the streetlamp. she makes a note. lambent and then

0

oh moon
your sad face brings down
the whole sky:
he discolors his cheeks
with soot & ashes
for you

o

she taps the side of her face with the capped black pen. stares into the outside. across the street there is a fenced-in playground. the metal of the swingset pokes through the snowdrifts like the bones of a mammoth skeleton. she can feel a cold coming on. she feels unsettled and uneasy. the windows are ill-set in their frames and the wind sneaks in. she wears sweaters and blankets to bed but wakes up sweating, fighting with the tangle of sheet and leg. she dreams she is boiling in an Arctic sea. her eyes dart from wall to wall, finally settling on the closet door. dark leaks out around its edges.

it is four in the morning. she is far enough past the winter solstice that the days now elongate instead of contract. this is a source of relief for her. she feels relaxed, as though the hours of the day are rooms that get bigger with each sundown, giving her more room to stretch out. she feels comfortable in large spaces - so long as she is the only one occupying them.

o

she has discovered something. she likes to go for small walks. just around the block, down to the park by the water, then up the street again to her apartment. she is most frightened coming out of and coming back to her doorway. before she exits, she looks cautiously down the stairs, listens for the sound of the other tenants rustling around like badgers in their burrows. she can see the line of boots and sneakers outside - this is how she knows if they're home. counts the pairs. today - all of them, present. everyone is home. this means she runs down the steps quickly, trying to avoid the ones which squeak - bypassing the second floor, then tiptoeing down the second flight, peering at the last obstacle, and then flings herself out the front door, around and past the gate before the screen door slams threateningly behind her. once down the sidewalk, she lifts her eyes and tumbles her hood down, breathing in the sharp, cold air. the world around her bristles with white.

it is sunday, just around noon, and most people are either still at church or brunch. the streets lay as quiet as a holiday. she likes to think of this time as her church. the crunch of her footsteps on fragile ice-pools. the cold warmth of the sun. she tilts her head back and shades her eyes with a mittened hand. when she arrives at the water, she finds the solitary park-bench and leans against the back of it. the harbour glitters like a garrison, armed to the teeth. seagulls describe lazy, huge patterns over the trees, calling idly to one another as if gossiping. all around, the despoiled snow, marred with the long slashes of footpaths, the brown crud splashed up from the road. she knows what she will write about. it slides easily into her like a cat creeping into a room. she watches the idea prowl around inside of her skull. waits for it - then she is gone, fairly dashing along the sidewalks to get back to the house, inflamed with the idea, her whole body fevered with it. she shakes with it. the blocks go by quickly and before she knows it, she's standing in front of the gate again. staring up at her window. her heart is hammering - this is the other end of the walk, the time which sometimes makes her stay in bed in lieu of her sunday walk, if the stairs are too busy or the streets are occupied. she advances. stealthily.

the door opens with its requisite metal shriek. she hates it, wishes it death, thinks briefly of being possessed of some unnatural demonic strength and wrenching it off of its hinges, crunching it, twisting it. her hand lingers on the handle of the doorknob as she shuts it quietly behind her. she proceeds up the stairs, gripping the rail as she goes, passing the first door, heading up the way - fifth stair, sixth stair, seventh stair (there are eleven) - she feels she is shrinking with trepidation, as if she could hide behind the rise of the stairs if threatened - and, suddenly overwhelmed, bolts. she can hear the sound of someone behind apartment 2, rattling the knob, but she is safe, behind the corner, back pressed to the wall, chest heaving with fear. she looks around the corner, peers at the man who is exiting. he is lingering on the threshold, sliding into a pair of boots. is her age, she thinks. wearing a plaid flannel shirt and a winter hat. fingerless knit gloves. he is sniffling slightly - perhaps afflicted by the same germs she feels percolating inside of her own body. he laces his boots up and stands, glancing in her direction. she flattens herself against the wall anew and holds her breath, not releasing until she hears the sound of his tread down the stairs. the screen door's obligatory slam is her starting gun - she flees up to her door and unlocks it with trembling fingers, letting herself in and shutting it closed carefully behind her. she leans heavily against it, allowing her breath to slow, her eyes sewn shut against the world.

o

her desk is her refuge. she pulls the chair in close, tucks herself in, turns all the lights down but the 40 watt lamp. the day is getting dark, the hours winding down again. she feels the angry tectonics of her empty stomach and ignores them, instead picking up a pen and arranging a sheaf of paper in front of her. she chews on the cap unthinkingly. his face. his gloves and boots. she is imagining pieces of him. she writes broad, honest face

his name is max. he works part-time as a waiter in a small restaurant and he hates his job, but he's good at it. lately his hatred for his job has been bleeding into the rest of his life. he has been drinking alone, at home, sequestered in his room with a bottle of whiskey and endless repetition of Nick Drake on vinyl. he lives alone, prefers his own company to the company of others, but isn't above going out to the bar for a drink or two. he can be prompted by the urging of his friends, who are constantly egging him on to find a woman - even though they themselves are all single or in uncomfortable relationships. he is awkward, though not without his charm, and often blows a conversation with a woman just by lapsing into an introspective silence. he has a dog that he takes for walks every morning and every night. it's a golden named Danger, though the dog's disposition is largely only for frolic and play.

he lives below her, though they've never met. once he thought he saw her leaving the apartment from his window, watching her turn down the sidewalk. she looked mistrustful. sad. almost panicky, like a squirrel attempting to cross the road. he's always wondered about her.


she stops. scowls at the paper as if it were a mirror. her left hand flashes up, about to crumple it and lob it into the wastebasket - but she doesn't. she lingers on it. closes her eyes for a moment, then picks up her pen again

he is curious. doesn't even know her name - but knows a way he can find out. he waits behind his door, eye pressed to the peephole, watching her pick her tenuous way down the stairs. he waits for the sound of the door downstairs to slam closed, and then he makes his way down the stairs after her. it is cold in the hallway. the building is old and drafty. he can feel it runnelling up the arms of his sweater, up the cuffs of his pants. the row of mailboxes - he's never bothered to check the others. lifts the tongue of apartment 3 and squints at the name printed thereon -

her name is Yes Mayberry. he blinks and lets the box close, standing there for a long second that turns into a longer minute. whose parents name someone Yes? a weird urge coruscates through him to change his own name to No. he gets a thrill from the thought and can't help but suppress a light laugh. what a weird girl.

she stops again and shoves her chair back from the desk, biting into her lower lip like biting into an overripe fruit. a tiny scarlet thread of blood makes a rivulet down her chin, but she doesn't notice. she paces around the room, murmuring senseless words to herself, almost as an incantation to keep the crushing loneliness at bay.

she can hear the stairs, creaking again. the sound of a key in the lock. she rushes to her door, fitting her eye to the peephole. watches the motion of his shadow on the wall as he fumbles with his boots. hears each thud as he drops them to the side, and the sound of the door as it meets again with its jamb. the light in the hallway goes out. she does not move. breathes in dust. exhales Yes.

Tuesday, January 19, 2010

sunday prompt: the good old days

black ash on the white snow. smoking an american spirit down to the tip of the wing and then carefully putting it out in the ashtray. sun's been gone for days. days and days. the weekend late-wakers saw snow slammed down like a white hand overnight, smothering the earth.

the din of gray and winter all around, a constant static. he thinks about his unfinished tractatus, ink-stained and beleaguered by scarlet marginalia. it is scattered now over his desk, which is a set of 2x4s propped up on milk crates. a simple lamp. a cigar box full of writing implements. an old inkwell with no quill. he is rather full of himself and spends most of his time alone. there is a small framed picture of Thomas Edison on his wall. beside the bookshelves - milk crates, again - stuffed to groaning - with kierkegaard and hume and hegel and freud and kant, et al. his facebook profile lists his occupation as Philosopher Errant. he thinks he knows Latin and speaks it floridly, with accompanying gesticulation. wears tweed jackets with suede patches at the elbow. has a tendency to become astoundingly and suddenly bland when confronted with someone who might know more about something than he does.

he retreats indoors, stomping his wingtips off on the mat outside before entering, fussily, a bit rather like an elderly gentlemen, brow creased and sniffling slightly in disdain for the whole process. once inside, he unlaces his shoes and leaves them properly by the door, pointing resolutely east. like vassals waiting the return of their lord. he pads back into his room and further into his studio, rubbing at his eyes and yawning. he is constantly aware of himself. as though there is an invisible camera floating around him at all times. it has a tendency to make him feel paranoid and egocentric. at times causes him to be spectacularly impotent.

he hasn't always been this way. he can remember another time. the halcyon days, he calls them. recalls fondly, goes through a whole litany of fondness. takes off his glasses, rubs at them with his omnipresent handkerchief, stares off distantly. the very height of pretension. he talks about his wayward youth, of his maturation from those things. he finishes off the telling with the same phrase every time. "ah - those were the good old days!" and those around him suppressing their laughter.

this is of course when he comes to the bar. every once in awhile he'll jaunt down to the local saloon - that's how he'll say it, "the local saloon," and "mingle with the commoners." airily. everyone knows he's hiding something. he knows he's hiding something. but nobody knows what it is. there's theories. he's one of those people that is easy to hate. he asks for it. begs for it. he can be arch and aloof. he tips well, but it's kind of the kind of benevolence that you hate because of the person behind it.

he does this tonight. plans on it all day. can taste the rough burn of the scotch he's going to drink all day. thinks idly about switching to a martini. or a manhattan. he knows that what he will drink will have to correspond with his manner of dress, and so he invests a lot of effort into the process. by sunset, he has donned a brown vest over a white shirt and a corduroy blazer with elbow patches, tilted a hat just-so over his eyes and picked up his meerschaum before lacing up his wingtips and exiting the apartment smartly. at seven minutes past the hour, he arrived, carrying a satchel of books he didn't intend to read but carried with him nonetheless.

as he walked into the bar, he couldn't help but notice his least favourite bartender standing in front of the array of bottles. the proper amount of disdain pasted itself on his face and he sat down properly, hands folded in front of him while his eyes darted around to see who was around to see him. just once, his nervous tongue flickered out to moisten his lips.

"what'll it be?" the man loomed over the bar, or seemed to. his sleeves were rolled, exposing a frenzied array of tattoos that coiled, snaked, exploded, or leered out of his skin. his eyes were hard and his jawline was harder. he always seemed to be cracking something - his neck, his knuckles. popping his jaw.

"glenlivet, neat, if you please." was the kind of guy that chose a poison and then learned everything they could about it. he could even tell you - and would, at length - about the battle of glenlivet. the drink arrived and he sat it in front of him, relishing the picture he imagined the omniscient camera was recording. the amber glint of the single malt, the oscurro of his silhouette against the lowlights of the bar.

there is a table tonight against the wall filled with three ruffians. they don't consider themselves ruffians. they lounge easy and lanky over their chairs. one picks at his teeth with a splinter of wood. their eyes rove endlessly around the place, sometimes colliding with someone else's. sometimes their conversation picks up and then falls off again. there is no real rhythm to them. they simply exist wherever they are and are completely unaware of it. from time to time, one blinks. they are all dressed in plaid button-down shirts and practical winter boots and plain knit winter hats. thermal shirts. one of them has a sister who recently died. his face doesn't show it, but he in fact is the reason they are congregated - he hasn't left his apartment in six days except to go to work and they are worried about him. they figure a night on the town - such as it is - is what he needs. unfortunately there are very few people here tonight. and then that guy walks in. you know that guy. there's one in every bar with their important looks and their expensive drink and their newspaper or textbook. the three ruffians have a small, match-sized fire of hate for that guy. they are drunk, but not enough. nate - the grieving brother - orders three shots of Bushmills. they quaff it in a disinterested hurry and nate stands up. now he is drunk enough. he sniffles. wipes his nose on his sleeve and approaches the bar.

"hey." he leans against the empty stool adjacent. "what you readin?"

he blinks at the interloper and then blinks again. re-places his glasses on his nose and squints through them. "do i know you?"

nate thinks about it for a second. "sure. remember?"

he blinks, then blinks again, then blinks a flurry. "no. what is your name?"

"c'mon man." nate is having a bit of japery. "we met a long time ago. surely you didnt forget?"

he scratches his head, then cautiously presses a well-worn but sturdy bookmark between the pages of his book, closing the cover with care. both hands lay on top of it, one over the other, as if protecting it. "how long ago?"

"i dunno man. a long time ago. c'mon, man. how could you forget me?"

"... the good old days," he mused, a hand lifting to his chin in the requisite manner of those reminiscing.

"yeah, man." nate is starting to slur slightly but keeps his game face on. he ups the ante, extends his hand. "the good old days. how could you forget your old friend Gus?"

a flicker of something riots through his eyes and his spine goes ramrod straight. "Gus! oh my goodness. i ... i did know a Gus, once ... but very briefly, and not for very long. a party ..."

"right! the ... party." the bartender slides "Gus" a bottle of beer and "Gus" nods his approval, flashing a thumbs-up. takes a hefty draught and leans in closer. "i knew i knew you. whass your name again, man?"

"August," he replies, then, slightly lamely, shoulders inclining, "... but back then they used to call me Augie."

"Augie! That's right! you old son-of-a-gun!" nate slaps August heartily on the back and August nearly chokes. "hows it been?"

August reassembles himself, eyes swirling around inside of their sockets like a shaken doll's. struggles to get a grip on his bearing. "fine, fine. just fine. working. a lot."

"thats right. you work a lot."

"yes. i am diligently completing my tractatus."

nate blinks and steps back. "your ... wha?"

"my tractatus," August says again, this time a bit stiffer, defensive engaged.

nate can't help it - he explodes into laughter, staggers backwards and claps his hand over his mouth as if to stuff the noise back inside. he's let up on his game now. he can hear the fellas in the corner laughing at his laughter. maybe he can get it back. "right ... your. sorry. i just - wow. whoo. oh wow." August is offended. if he had feathers, nate thinks idly, they'd be ruffled. "sorry man. just a funny word."

"it is the perfect word for my undertaking." he looks almost birdlike in the dim light of the bar. nate rights himself.

"right, right ... your undertaking. so. how have you been? mind if i - " nate gestures to the stool.

at first, he seems outraged, then seems to fold down and inside of himself and shrugs, gesturing broadly. "it is, after all, a free country," he adds as if by way of afterthought.

"thanks man. you're a sport." he claps August's back again. "do a shot with me, huh? for old time's sake?"

"a shot. oh, no. i don't think so. sorry, Gus."

"c'mon. it'll be fun. here - " the bartender had overheard and ambled over. "two shots of jager. for me and my friend Augie here."

an arched eyebrow and amused expression later, two small glass shots appeared in front of them and were filled with the dark, viscous liquor. nate clinked August's closer to him. "asses up, man."

August's eyes went back and forth, from shotglass to book, to bartender, to "Gus," to the shotglass, to nate's shotglass, to the bartender - who was walking away, towards the newest entrant, a pretty girl with blonde hair and a black shirt, covered in ink - and felt something drop out of the bottom of his stomach. he watched his hand extend forward, like an antenna, and pinch the shot awkwardly between forefinger and thumb. he held it up, staring at it, squinting at it. nate reached in and clinked his glass with August's and downed it in a flash. August took a moment, sniffed, wrinkled his nose, glanced back at "Gus," and drank it in a pained hurry. the cold seeped into him first, then the burn. he gagged, then coughed, grabbing his chest with one long-fingered hand. starting to double over, his other hand shot out to fumble at the nearest person. nate, in bewilderment, seized it and dragged him upright. weakly, August arranged his glasses and stared ahead, clearing his throat, gasping just once, like a fish newly out of its water -

"hey man - you ok?"

August nodded and retracted himself back into himself, hands fluttering at his pockets, withdrawing his pipe and tobacco. gingerly, he packed it. nate watched, a mixture of amusement and concern muddled in his eyes. "my. it has been a long time."

"a long time?"

"yes. well. those were the days before. the .. ah .. golden oldies. you know. you were there."

"before?" nate was losing ground. the jager had dulled him slightly and he felt his face turning gray.

"yes, of course," August said, rather impatiently. "before the accident."

"right ... " nate blinked, slurred, and confused time - "she was too young."

"she? to what are you referring to?"

"my ... sister."

"your sister?" August stood up, a bit unsteadily. coughed again. "my dear man. i have, quite frankly, no idea what you're talking about. i was speaking of something entirely different. perhaps we don't know each other at all." he was feeling a bit of fire. perhaps it was the shot. perhaps it was how pallid "Gus" had become. a triumph of reversal. "if you will excuse me. i am going to step outside for a brief puff." and exited fluidly, pulling his longcoat over his shoulders as he went.

nate blinked, slumped against the chair, staring blankly at the bottles. his eyes unfocused and then refocused. his hand came up as if of its own will and slammed down hard on his face, where it remained before sloughing off like skin from a molting snake and dangled, useless again, by his side. "c'mon nate. let's go." the fellas were punching at his shoulders, lightly, as if he were a punching bag. feigning being boxers. dancing back on their feet, laughing with one another. drunk as he was, if not worse. he was an angry whirl of remembered grief. didn't give voice to it. peeled himself from the chair and staggered at them. the three fell like bowling pins, scattered, motionless, on the floor. a second or two elapsed before their laughter - sick and wheezing, snaked out of them like air from a pin-holed balloon. then the shoving, the struggling, the mock-fighting - the at-last bartender finally hollering that they had to leave, the dubious faces, the shuffle to the door. the first white blast of snow and wind in their ruddy faces.

August leans against the side of the building, tucked in a small lee from the weather. he puffs on his pipe and watches them go, shambling like B-movie monsters into the snow. the fire in his stomach has increased, has stained his throat like soot stains a chimney. he has a terrible case of heartburn. nostalgia creeps up on him, ambushes him

"AUGIE! WHERE ARE YOU?" he is wandering around blindly, hair obscuring his vision. he's lost his glasses somewhere. they're broken, on the floor of someone's party house. his heart is clogged with something terrible. he can feel it thudding like a small giant inside of him. he is in an unfamiliar basement. there are cobwebs everywhere and they snag on his face and clothes. he shivers but can't tell if it's out of fear of spiders or being totally, eternally lost.

"AUGIE" the voice is strained, getting further away. the basement seems Byzantine, a weird gray labyrinth of filmy casement windows and raw concrete walls. he is spinning around, trying to re-orient himself. he bellows out but no voice comes out of him.

when he wakes up he is lying in a froth, contorted, screaming, in the back of an ambulance, strapped down, connected by plastic veins to plastic bags. he has become an octopus, a squid. he pisses his pants and passes out.

it had been laced with something. the pot. what a funny joke. Augie loves a good joke, they'd said. watch what happens. you'll see. it'll be fucking
hysterical.

August smiled bitterly and tapped out the pipe. the three figures had long since vanished behind the veil of snow. the wind slapped him in the face as he stepped out of his cranny, as if reprimanding him. he sighed. stared off into the distance. returned inside, thoughts returning to his work, his brow strained by the passage of the slippery eel called memory, twining around and around in the murk of his skull.