Sunday, March 14, 2010

some spleen

the night's sullen candor,
purpled & inveterate.

1.
irascible moon, high &
lofty, powdering its face
just to disdain its suitours.
how proud! how haughty!
she tilts her face to the sky,
uses it for a mirror -

2.
manic sun,
halitosic on the streets below.
teeth long since rotted out.
vibrates in the heat-static of the sky,
spits & convulses
like an apoplectic madman -

3.
the white capillaries
of lightning snake across
the gray cheeks
of the bulbous clouds;
thunder provides the soundtrack
to their rhexis

4.
the wind:
a hundred invisible strangers
rushing importantly by -
fearful, frustrated, unconcerned,
solipsistic -

& the philosopher-drunks
all imitating Diogenes,
frothing at the mouth,
inventing new dances
on their sojourns from one bar
to the next -
from tango to dervish

5.
and,
inevitably,
the brontolalia
of blood rushing in the ears,
the insistent rhythm of the heart
seizing dominion over the head -

(a coup de tete!)

- & again!
the vulcanized needle of lightning,
sewing up the skin of everything
with its effulgency,
disdaining the gray hush
of dusk & dim,
yet despite,

"luxe, calme, et volupté"
a half-second later.

Tuesday, March 9, 2010

a very brief story for a friend containing or circumlocuting the word "intrigue"

the lonely walk home from the bar, the drunken stagger, the sudden recalculate & regroup as one foot bismehaves, slips right as if drawn to a sullen, clandestine magnet just behind that streetlight, that trashcan. tongue heavy in the cave of the mouth like a hibernating bear. eyes like fish in a foggy bowl. somewhere, deep in the recesses of the brain, there is a headache blooming like a bruised flower.

it is on the corner of Lux and Scorro that they meet. red light, imperious DO NOT WALK blazoning from across the asphalt, yet no cars. she comes up behind him, tilting slightly, waifish, giggling to her intertwined fingers held just before her mouth. he turns his bleary eyes over his shoulder and she lifts her gaze. she wears a hat just slightly askew on her head, a dress she's made herself, all patchwork & crazed sew. "d'you got a cigarette?" he asks - or thinks he does, she is fishing in her little clutch, withdrawing a battered pack of parliaments.

"i don't smoke," she says. the light has turned green and a single car whizzes by, too fast. "i don't know what these came from." she tilts her head like a dog listening for a distant, tinny sound. "where. they came from. here." she proffers the pack.

he accepts them even though he smokes camel filters. "thanks." returns his attention to the car-less boulevard. "guess we could go."

"no cars," she lists back and forth a little, whether on purpose or not he can't tell.

"are you drunk?" he demands to know, somewhat imperiously. the timbre of his voice spirals upwards like a minaret.

"no." she narrows her eyes at him. "are you?"

"no, i'm jeremy."

the silence acquires a patina of frost, which abruptly thaws with the sound of her laugh, a brittle thing that seems to spider out of her before growing louder and ceasing, altogether too abruptly. "i'm corie." she extends her hand, palm down, and he takes it in his. his palm is callused just above the mount of saturn, and encountering this with her forefinger she frowns and withdraws.

he scrutinizes her face. just under her right eye is a quick pale scar that seems to flicker beneath the skin like a minnow in the shallows, wriggles when she winks or smiles. she averts her gaze.

the light's gone red, the admonishment of DON'T WALK has turned to the beneficent white man's outline. they begin to walk, steadied by each other's presence. "do you live in the west?"

"depends on where we are now," she retorts with a crooked smile.

"almost west."

she nods, and they proceed. towering over them to the right is a hospital: every window is dim save for one, stained with the silhouette of some lonely patient looking east, waiting for the sun to rise. the driveway in is stippled white & red lambent by the neon proclaiming EMERGENCY. somewhere around the corner, a dog's collar & tags are jingling. "you didn't answer me," he says.

"yes," she pauses. he is a head taller than she. something about the fringe of his brown hair sweeping across his brow she doesn't trust. that and his hand. "on purpose."

"well, aren't you just the..." he trails off. "i got nothin."

she laughs despite herself and they continue until they part at the corner of Oyll and Vinniger. neither note the irony.

Monday, March 1, 2010

t.a. miercoles, fragment

t.a. miercoles, born at the hiccup of midnight on a tuesday, was putting himself in order in front of the mirror. he averted his eyes from his own gaze, finding something particularly unnerving about the way he stared at himself. running a comb through his hair, he turned away and sighed. the phone rang and he ignored it. some music was playing on his computer that he wasn't familiar with, yet he didn't stop to ascertain the song.

he had long flirted with the idea of leaving the town, but somehow had stuck to it like a barnacle. he preferred to spend his time alone, though found himself from time to time besieged by the urge to integrate himself into the social continuum. these urges passed, though not without leaving a slimy track of self-loathing across his brain. he spent most of his time asleep, though not by design, and slept the longest when he fell into it accidentally, propped in a chair awkwardly before his desk. after midnight, if he had put sleeping clothes on and slid beneath the sheets, he would lay awake for what seemed like hours, eyes pinioned open, fixed on the ceiling, waiting for a dream to sneak up and ambush him. he wouldn't call it insomnia. he slept enough.

and when he slept, he dreamed: big huge dreams, vivid dreams that destroyed him, his loved ones, the world. he escaped from cataclysm as many times as he fell into its gaping maw, talked wordlessly to strangers he had met before. little girls with pink tongues danced slavishly around maypoles. buildings collapsed and triads of old women fumbled foolishly with knitting needles while pointing and laughing at his tireless effort to save someone from the rubble.

the waiter's monologue

"hey guys, how are you today? anyone? okay. can i start you off with some beverages while you're looking at the menus? yeah? no, we don't have sam adams. no. we don't have any sam adams at all. miller lite? no - we have coors light and bud light. bud light, okay. for you, ma'am? hot tea? no - sorry, we have iced tea, but that's it for tea. just water? okay. and for you, sir? water with a lemon. oh, you want a lemon too? sure guys, i'll be right back with your drinks. let me know if there's anything else we don't have that i can't get for you."