Friday, July 16, 2010

"The Drinker's Dictionary," by Benjamin Franklin.

Nothing more like a Fool than a drunken Man.
Poor Richard.

'Tis an old Remark, that Vice always endeavours to assume the Appearance of Virtue: Thus Covetousness calls itself Prudence; Prodigality would be thought Generosity; and so of others. This perhaps arises hence, that Mankind naturally and universally approve Virtue in their Hearts, and detest Vice; and therefore, whenever thro' Temptation they fall into a Practice of the latter, they would if possible conceal it from themselves as well as others, under some other Name than that which properly belongs to it.

But DRUNKENNESS is a very unfortunate Vice in this respect. It bears no kind of Similitude with any sort of Virtue, from which it might possibly borrow a Name; and is therefore reduc'd to the wretched Necessity of being express'd by distant round-about Phrases, and of perpetually varying those Phrases, as often as they come to be well understood to signify plainly that A MAN IS DRUNK.

Tho' every one may possibly recollect a Dozen at least of the Expressions us'd on this Occasion, yet I think no one who has not much frequented Taverns would imagine the number of them so great as it really is. It may therefore surprize as well as divert the sober Reader, to have the Sight of a new Piece, lately communicated to me, entitled

The DRINKERS DICTIONARY.

A
He is Addled,
He's casting up his Accounts,
He's Afflicted,
He's in his Airs.

B
He's Biggy,
Bewitch'd,
Block and Block,
Boozy,
Bowz'd,
Been at Barbadoes,
Piss'd in the Brook,
Drunk as a Wheel-Barrow,
Burdock'd,
Buskey,
Buzzey,
Has Stole a Manchet out of the Brewer's Basket,
His Head is full of Bees,
Has been in the Bibbing Plot,
Has drank more than he has bled,
He's Bungey,
As Drunk as a Beggar,
He sees the Bears,
He's kiss'd black Betty,
He's had a Thump over the Head with Sampson's Jawbone,
He's Bridgey.

C
He's Cat,
Cagrin'd,
Capable,
Cramp'd,
Cherubimical,
Cherry Merry,
Wamble Crop'd,
Crack'd,
Concern'd,
Half Way to Concord,
Has taken a Chirriping-Glass,
Got Corns in his Head,
A Cup to much,
Coguy,
Copey,
He's heat his Copper,
He's Crocus,
Catch'd,
He cuts his Capers,
He's been in the Cellar,
He's in his Cups,
Non Compos,
Cock'd,
Curv'd,
Cut,
Chipper,
Chickery,
Loaded his Cart,
He's been too free with the Creature,
Sir Richard has taken off his Considering Cap,
He's Chap-fallen,

D
He's Disguiz'd,
He's got a Dish,
Kill'd his Dog,
Took his Drops,
It is a Dark Day with him,
He's a Dead Man,
Has Dipp'd his Bill,
He's Dagg'd,
He's seen the Devil,

E
He's Prince Eugene,
Enter'd,
Wet both Eyes,
Cock Ey'd,
Got the Pole Evil,
Got a brass Eye,
Made an Example,
He's Eat a Toad & half for Breakfast.
In his Element,

F
He's Fishey,
Fox'd,
Fuddled,
Sore Footed,
Frozen,
Well in for't,
Owes no Man a Farthing,
Fears no Man,
Crump Footed,
Been to France,
Flush'd,
Froze his Mouth,
Fetter'd,
Been to a Funeral,
His Flag is out,
Fuzl'd,
Spoke with his Friend,
Been at an Indian Feast.

G
He's Glad,
Groatable,
Gold-headed,
Glaiz'd,
Generous,
Booz'd the Gage,
As Dizzy as a Goose,
Been before George,
Got the Gout,
Had a Kick in the Guts,
Been with Sir John Goa,
Been at Geneva,
Globular,
Got the Glanders.

H
Half and Half,
Hardy,
Top Heavy,
Got by the Head,
Hiddey,
Got on his little Hat,
Hammerish,
Loose in the Hilts,
Knows not the way Home,
Got the Hornson,
Haunted with Evil Spirits,
Has Taken Hippocrates grand Elixir,

I
He's Intoxicated,
Jolly,
Jagg'd,
Jambled,
Going to Jerusalem,
Jocular,
Been to Jerico,
Juicy.

K
He's a King,
Clips the King's English,
Seen the French King,
The King is his Cousin,
Got Kib'd Heels,
Knapt,
Het his Kettle.

L
He's in Liquor,
Lordly,
He makes Indentures with his Leggs,
Well to Live,
Light,
Lappy,
Limber,

M
He sees two Moons,
Merry,
Middling,
Moon-Ey'd,
Muddled,
Seen a Flock of Moons,
Maudlin,
Mountous,
Muddy,
Rais'd his Monuments,
Mellow,

N
He's eat the Cocoa Nut,
Nimptopsical,
Got the Night Mare,

O
He's Oil'd,
Eat Opium,
Smelt of an Onion,
Oxycrocium,
Overset,

P
He drank till he gave up his Half-Penny,
Pidgeon Ey'd,
Pungey,
Priddy,
As good conditioned as a Puppy,
Has scalt his Head Pan,
Been among the Philistines,
In his Prosperity,
He's been among the Philippians,
He's contending with Pharaoh,
Wasted his Paunch,
He's Polite,
Eat a Pudding Bagg,

Q
He's Quarrelsome,

R
He's Rocky,
Raddled,
Rich,
Religious,
Lost his Rudder,
Ragged,
Rais'd,
Been too free with Sir Richard,
Like a Rat in Trouble.

S
He's Stitch'd,
Seafaring,
In the Sudds,
Strong,
Been in the Sun,
As Drunk as David's Sow,
Swampt,
His Skin is full,
He's Steady,
He's Stiff,
He's burnt his Shoulder,
He's got his Top Gallant Sails out,
Seen the yellow Star,
As Stiff as a Ring-bolt,
Half Seas over,
His Shoe pinches him,
Staggerish,
It is Star-light with him,
He carries too much Sail,
Stew'd
Stubb'd,
Soak'd,
Soft,
Been too free with Sir John Strawberry,
He's right before the Wind with all his Studding Sails out,
Has Sold his Senses.

T
He's Top'd,
Tongue-ty'd,
Tann'd,
Tipium Grove,
Double Tongu'd,
Topsy Turvey,
Tipsey,
Has Swallow'd a Tavern Token,
He's Thaw'd,
He's in a Trance,
He's Trammel'd,

V
He makes Virginia Fence,
Valiant,
Got the Indian Vapours,

W
The Malt is above the Water,
He's Wise,
He's Wet,
He's been to the Salt Water,
He's Water-soaken,
He's very Weary,
Out of the Way.

The Phrases in this Dictionary are not (like most of our Terms of Art) borrow'd from Foreign Languages, neither are they collected from the Writings of the Learned in our own, but gather'd wholly from the modern Tavern-Conversation of Tiplers. I do not doubt but that there are many more in use; and I was even tempted to add a new one my self under the Letter B, to wit, Brutify'd: But upon Consideration, I fear'd being guilty of Injustice to the Brute Creation, if I represented Drunkenness as a beastly Vice, since, 'tis well-known, that the Brutes are in general a very sober sort of People.

The Pennsylvania Gazette, January 13, 1736/7

Thursday, July 15, 2010

Elena

She collected him. His moods, his tics. Hoping that by this accrual of fragments, she would have all of him, would come to know him as her favorite protagonist. In this way he became real to her, and then, slowly, became distasteful. She had gone through myriads of him, always the same patterns, the same path walked down to dirt & scuff. She tested him with poetry, would savagely grind against him over a choppy sea of sheets, whispering Verlaine into his ear:

Pour toi, j’ai fait, pour toi, cette chanson,
Cruelle et caline -

&: he would draw away from her, like a ferry tugging out of its slip, harbour & islandward. She would stand on the pier, stone-eyed & silent

or: she would subtly inflame him with embarrassment, until he became a wizened cinder, one ember of pure hate winking furiously & impotently in her direction.

the latter, occurring with more frequency than the former.

there were, of course, variables to her algorithms: there had been the liar, the pervert, the honey-tongued rake, et alis.

after some time, their names gracefully faded from her recollection, and so, in conversation, replaced them with colors - most often, the color of the shirt she last remembered him in. (took an inordinate amount of pleasure in assigning the hue “Buff” to one ex-flame who commonly went sans shirt)

(now), she was largely alone. read books. he had gone weeks before, and though his name was Theo, she already knew him as Red. a pile leaned like a familiar lover to her right. from bottom to top: Lautreamont, Barthes, Nin, Rousseau, de Sade, Bachelard, Flaubert, Proust (Swann’s Way, trans. Moncrieff), Pound, Nabokov, Pynchon, Auster, Albee, Woolf - &, placed deliberately at the top like a capstone, Justine, Durrell.

she dreamed of violence. of monsters with no faces & yet, possessing maws agape with wicked fangs. they existed around her with no interest in attacking or devouring. she was ineffectual, had no import or bearing. a distant lighthouse faltered & extinguished, plunging her (in the ocean, treading water) into utter black.

the second drink went down faster than the first. she saw him across the bar in a t-shirt whose color she was unable to discern - some shade of Gray - (she had, already, Gray-with-an-A & a Grey-with-an-E.) his eyes were fastened to a paperback. in front of him, a sweating pint of beer and an empty shotglass with a thimble of amber pooling in the bottom. she decided he was Shale. craned her neck (over her Tequila Sunrise) to see the title of the book. the letters swam in her vision like guppies in a bowl. there were multifold creases, cracks, in the spine of the book - she rises inside of herself, throat arid with expectation, but cannot make it out. he coughs, lightly, and turns a page as if the book is porcelain. she slams herself back down into her seat, spraying her desire with the pesticide of negative thought and horrible outcome. “Another crayon in the box,” she sighs, and chortles morbidly behind a hand at the image it conjures.

“What’s that?” the bartender is someone she knows - it’s good-old-Randy, of the churl’s smile & the fool’s mad grin. she supposes he’s an attractive guy. ruddy. rangy. going to seed a bit in the middle as a result of a fondness for malty, thick beers.

“Another crayon,” she repeats, absently, twining a strand of hair around her finger.

Randy’s put something on the bar in front of her that rattles like candy. At first, she thinks it is candy. “I think we lost Black awhile ago, and Green’s just a stub. Keep ‘em here for Deb’s kid.” He scratches his beard. “Don’t know what you’d need ‘em for.”

She blinks, and stares him full in the face. Laughter trickles out of the corners of her mouth and she sucks on the straw until the Sunrise fades noticeably in the pint glass. “Randy, you’re a peach. Got any paper?”

They spend the next half-hour scribbling contentedly, with no real images or goals in mind, her with Cobalt Blue, he with Burnt Sienna. She drinks another Sunrise away.

o

ELENA HARRIS
152 CHURCH ST
5C
CITY, STATE
ZIPCODE

No return address. She turns the envelope over & over in her hands as if trying to ascertain its contents by touch alone. She is unsuccessful - for the most part. It is a letter, and it has been written by one Elaine Harris, now deceased. The letter contains a great deal of hand-wringing & apology, as well as funeral instructions. It is the last missive from a mother who feels the Kublerian-Ross finality of regret & is straining for some sort of redemption from her daughter. Despite the commonality of their surname, Elena has never heard of Elaine. Her mother’s first name is Linda.

The telephone rings and, at the same time, a small bird flies directly into the window directly to Elena’s right. This is the first time this has ever happened, and she is startled, dropping the letter from Elaine Harris to the floor. A small smear of blood on the glass pane is hesitantly extending a downward pseudopod like a recalcitrant explorer. The window is nailed shut, she cannot open it to clean it. The bird is nowhere to be seen. She picks up the letter anew and sits heavily on the couch; opting for the stifling silence rather than turning on music, as is her usual habit upon entering the apartment. It is sweltering on the fifth floor, though she would never live on the ground floor - prefers vastly to have a sense of omniscience by looking down on things, to be able to look out and over and up. The evening is a great nothing stretching out ahead of her. She has no plans. A sigh leaves her body involuntarily, sneaks out & away before she can catch the errant breath. She unzips her bag and pulls out the day’s acquisition: it is Derrida, and a battered, bruised copy of Baudelaire’s Paris Spleen, in a translation she does not already have. (She has two, and they sit next to one another on her bookshelf)

At that very moment, S. calls.

They lay in bed - S. & E. - letting their fingers traipse over one another. It is the bliss of post-coitus, and the world is white-gold all over. everything around them seems basted with the night, soaking it all in. The dark is liquid, pliable. She sighs, gathering air into herself and allowing it exit with a carefully moderated exhalation. He lights a cigarette and muses through the smoke. She isn’t paying attention, lolling like a primate in the glow, tongue hanging loose, body unhinged, splayed and akimbo on the queen-sized bed - that is, until he asks

“If I die, will you make sure they bury me with headphones on?”

She almost snorts her derision at the ridiculous nature of the question. His name is already Royal (after Royal Blue) even though the shirt he was wearing is crumpled on the floor. “I thought you said you wanted to be cremated.”
 He chewed the thought for a second, like a tough piece of gristle. “Well then make sure the photo they put in the funeral has me wearing headphones, okay? Music is important to me. I think I should be remembered with a symbol of listening to music. Or something. I don’t know.” He paused, as if immediately recriminate. “Am I making any sense at all?”

“You’re ruminating. It’s all right.”


“I’m not being too … self-involved?”


“No.”

“All right.” He sank contentedly back down into himself, resting his head more comfortably in the crooks of the arms folded behind his head. He seemed inordinately pleased with himself, like a cat in the birdcage, feathers sticking out of his mouth. She curled away from him, dissatisfaction staining her in the same way as wine stains teeth & tongue. He didn’t seem to notice.

o

She is discouraged. The world is this gigantic place she can only see one frame at a time, from the window of her screened-in porch. In grandiose moments, she refers to it as her solarium, replete with a moue of hand and mouth. she comes to smoke here in the early mornings, dredging herself out of sleep with a cup of english breakfast tea & a hand-rolled cigarette; curling on a settee found on the curb a block or so away. this morning, it is beginning to rain and it sounds dour to her. any other morning she would have elated in it, the insistent and tinny rhythm of the water on the roof and asphalt below, but this morning she is irritable and snappish, even at herself in the bathroom mirror. Her stomach is a weird sea of unease and her fingers are sticking to the cigarette. This is going to be a day where everything goes wrong, she decides, and stares down at the street below.

A man & a woman (call them Hannah and Brian … Livingston.) are hand-in-hand in leisurely promenade. Hannah is carrying a small purse, the color of which is offensively green, which offsets her offensively blonde hair. Brian is one of those perfectly cut-out specimens of masculinity, down to the tucked-in polo shirt and bermuda shorts. They go jogging together. They have separate lives but somehow always careen back into one another by evening. Hannah has dinner plans floating in her skull. She’ll cook that chicken breast in the freezer, season it with lemon & paprika, pan-fry it over some rotini and chop up some light vegetables. Some sort of vinaigrette. She knows Brian won’t be very hungry, but she knows she will be. A white wine for her - something of the chardonnay variety, and a Michelob Ultra for him.

Brian is thinking about his golf game, and the girl caddy with the brunette ponytail & white visor. Her name is Lola, and sometimes Brian finds himself humming the Kinks song of the same name as he’s teeing off. Watching and admiring her pert, round ass in her cream-colored miniskirt as she bends over to retrieve a ball. She has some Mexican blood in her.

Hannah is asking him a question. He hasn’t been paying attention, drifted, from her. He makes up a noncommittal answer and they pass out of sight, turning the corner.

She wrinkles her nose at them, unseen from her lofty perch, and turns away from the window. Dust catches in her throat and she gags involuntarily, swilling the last of the tea-gone-cold from the red & gold mug. This is going to be one of those days.

o

Around noon, the telephone rings. It’s an older-version cell phone, flip-phone, with no bells or whistles - the ring is seven long, impatient-sounding tones, in the style of an old receiver & cradle phone. She has to endure endless jokes & jibes at her expense when in mixed company, surrounded by a forest of people whose eyes are glued to their iPhones, or BlackBerries, or what-have-you. They make an alarming array of hoots and bleeps and she feels that the phones are having their own private conversation - moreso, even, than their owners. She has walked into a bar and seen the entirety of the clientele - all the way down the long bar to the bathrooms - with their faces turned down, illuminated by the eldritch blue of their devices. The tableau so chilled her that she immediately powered her own churlishly anachronistic telephone off and left it off until the next morning.

She doesn't answer it.

o

She waits with drink in hand for someone to leave, hovering near the first stool. There is a burly man occupying said seat, hands cupped around his pint of lager as if protecting it from possible spill. His hands are big enough to overlap around the backside of the glass. He wears a camouflaged trucker’s hat, sunglasses perched on the brim, a white t-shirt that’s seen better days, duck pants, and black workboots. Randy is tending the bar again, and it’s a busy night. She isn’t even entirely sure why she’s sojourned to the bar, with a half-full bottle of gin on the kitchen counter and a bottle of tonic in the fridge, but she’s here now and is determined to follow through.

(The day, as she had expected, was one disappointment after the next. She started to read, but found herself constantly distracted by minor irritants:

a strand of hair that wouldn’t lay quiescent (and so, deranged with a pair of dull scissors, chopped it right off), followed by

a persistent tickle in the rear of her throat, one that couldn’t even be dislodged by repeated coughing, followed by

the inability to find a comfortable position, even after re-arranging her body five major times and six minor times, while at the same time

scratching in vain the itch on the sinistral side of her lower scalp & consumed with the heat radiating from a tiny, cruel cut on the webbing between her dextral thumb & forefinger -

she had given up on comfort and threw herself out of the house without bothering to tuck her book under her arm)

The man in the camouflage hat shifted in his seat and emitted a rumbling belch, a low sound that he self-consciously muffled with the back of one hand before surreptitiously glancing around to see if anyone had taken offense. Elena was pleased despite herself at his furtiveness, declaring it an act of conscious chivalry, and when their gazes met, she smiled at him to communicate her approval. He nodded, somewhat awkwardly, and briefly touched the brim of his hat. She was again touched, and inclined her head in the same fashion.

Thunder, then, from somewhere in the stomach of the sky, and her neck twisted to give her vantage of the sidewalk and beyond. It had begun to rain, and unabashedly so, in heavy, full drops that splattered as they struck the concrete. When she turned back around, the man (she couldn’t call him White, she had one, and Whitey was out of the question … Camouflage wasn’t really a color so much as a color of colors - he had a dark beard, she could call him Blackbeard, but that’s breaking the rule - )

“Why don’t you have a seat,” he was saying gruffly, one hand attached to the underside of his chin, scratching.

She blinked at him. “Me?”

He shrugged. “Sure.”

“Very kind of you,” she said, but did not sit down.

“I have to be goin’, in any case.” He clipped the end consonants from his words like someone clipping a cigar, and she found it delightful for the first time since Maroon had left her, well, marooned, for some Kentucky-fried up-and-coming country singer.

“Thank you.”

“I’m Jeff.” He extended his hand. She could see the topography of his palm was heavily callused, a square shape radiating evenly measured and distributed fingers. From her minute-long dalliance with chiromancy, she recalled that his Mount of Saturn seemed unusually prominent, but couldn’t remember what that entailed.

“Elena.” (She was going to have to come up with a color for him.)

“Really?”

She blinked again, and fell into her habit of re-assessing the physical situation. The empty chair sat between the two of them. His hand was still outstretched. She bit her lower lip & took it in her own. He had a firm grip, but not overly firm - but not so restrained as to display a concern for her fingers. In fact, it seemed he hadn’t really thought about it at all - he simply extended his hand and did what came naturally. They squeezed, shook, and disengaged. Elena was becoming more thrilled by the minute. “Oh - yes. Really,” she said, bewildered by her brain.

Jeff nodded. “Never met an Elena before.”

“First time for everything,” she came back, gamely. He smiled, an easy smile displaying two rows of teeth whiter than his shirt. He leaned in, one foot up on the bottom rung of the chair, folding his arms over his chest. That worried her - she’d read somewhere it was a defensive posture, but seconds after the thought traversed her mind, he unfolded them and stuck a hand in a pocket, letting the other rest on the back of the chair.

“Yep.”

The silence fell like doors being finally breached by a battering ram. They both reached for their drinks at the same time. On the jukebox, someone was playing “Baby, I’m Gonna Leave You.”

Thunder, once more. Over her shoulder, Elena heard someone telling a story

“Jacky told me they’ve been finding wolves around.”

“No way. Where? How many?”

“No one knows where they’re coming from. Jacky’s friend Victor’s brother works at the police station and he told Victor that they’ve had twenty-five calls in the past two nights about wolves in people’s front yards.”

“No shit.”

“I shit you not.”

“Have you seen any?”

“Not yet.”
 and she felt a chill.

Jeff was fishing his wallet from his back pocket, settling up with Randy. Elena pinkened in the cheeks, averted her eyes. “Be careful,” she heard herself saying.

“What’s that?” Jeff turned around.

“There’s wolves.”

He blinked. “Sorry?”

“I just … “ she was motioning over her shoulder when she realized confessing to eavesdropping wasn’t the most attractive trait - did she even want to seem attractive to him? - “I heard. Someone.”

“Wolves.”


“Yeah. In … in the streets.”

He laughed, quietly, and she knew instinctively he wasn’t laughing at her but at the absurdity of the statement. “I’ll be careful.”

“Okay. Good … then. Please do.”

Jeff tipped his hat to her again and exited. She watched him go, admiring his gait, which was slow without being ponderous, deliberate but without pretense. “Thanks for the seat,” she called out, as if to trip him up, but he just waved over a shoulder & the door closed behind him.

and finally, the electric herald of lightning, God’s Holy Camera making a Kodak moment out of the rain-slick streets.

(around the corner, in a garbage-strewn alley, a brindled gray wolf slavers over the corpse of a small cat)

o

she wakes up alone, on the couch in the living room, dazed. feels the hangover brooding like a hurricane just off the coast of her frontal lobe, tracking a slow & painstaking path down behind her face. her mouth is dry and her palms are clammy. she isn’t quite sure how she made it home - can’t remember much after the fifth drink. she remembers the rain ceasing. something about a pregnant mother.

her dreams were vivid and made little sense: she had somehow made friends with a ball bearing, which had sentience, moved of its own accord, and rolled tenderly up and down her body at night. it lived in a small cup on a porch just outside her home, and one day, the cup was thrown senselessly away. her heart tightened as she recalled the dream-moment she discovered, heavy inside of herself with knowing, the absence of the cup, the ball-bearing’s home. some vicious personage had thrown it into the yard, which turned into a salvage lot, which was also somehow a beach. she became obsessed with finding her friend, and years passed with her crawling on her belly through the short grass, the tall grass, picking through the twisted, rusted metal of the junkyard, eventually beaching herself by the indifferent waves. a grain of sand, blown by the wind, tickling up her bare arm - a startle of joy, ecstasy, seizing her by the insides, recalling the sensation of her friend - but an arrogant gust of sea-wind tosses it callously away -

She is wiping the tears from her eyes with the back of her right hand. The rain has stopped, but she can still hear fat, loner drops plunging from the trees’ broad leaves to the unforgiving asphalt below. Fog brushes its belly over the streets of the city. She hauls herself from the couch and prepares some tea. Goes through her morning ablutions, lost in a swirl of imagery. Stares at herself blankly in the bathroom mirror and doesn’t quite recognize the face looking back. She is expressionless but her eyes are red and the skin around them swollen as though needing the pinprick of a lancet.

Later, she sits down to breakfast, and a magazine from months ago.

Later still, she sits, smoking a damp cigarette made clumsily the night before, on her porch.

The possibilities of the day stretch out in front of her, coalescing in the same manner as the fog.

She is waiting for the sun to burn it away.

She is in the habit of making lists.

Tuesday, July 13, 2010

the drunk asked me what i was writing & i said "amores perros."

she asked him politely to stop. he did not. she asked him again, and still he did not. a third time & the din & hum of the bar and its concourse. she fixed him in ice and he writhed within her constraints. almost enjoyed the bondage of it. when she eventually turns away (as they always do) he feels a deeper chill, one that ossifies the blood in his veins. he orders another beer & another shot of tequila. the scathe of the booze riots without recourse, metastasizing through the empire of his circulatory system -

Tuesday, July 6, 2010

an aubade

i never liked it when you laughed. you had a horrible way of snorting that you weren’t ashamed of but which i was, for you. you said you didn’t mind, you thought it was cute. when you sang and went suddenly off-pitch i cringed and my eyes watered. these were things i could not control. i wrote about them in a journal that i kept online. i try to remember the things about you that i like but i keep coming back to the ones i don’t. you leave your clothes on the floor in the bathroom when you’re done with your shower & you always throw the empty tins of cat food in the sink. you’re in a rush on your way to work. you don’t like to talk in the morning but when you come home in the late afternoon you’re bursting with conversation like an overripe tomato, squirting rumor and the daily happenstances like juice. all i want to do is get high and listen to music, because the last thing in the world that i ever want to do is talk about work when i return from it. i learned to do this from my parents, who kept the two worlds of work & home disparate from one another and said it was for my benefit. it worked up until my mother got fired for blowing the whistle, which is the night she locked herself in her bedroom but i could still hear her crying.

you hate your hair and always want to cut it really short. you know i like it long. you confide to me that the day we break up is the day you cut it all off. i make some vague allusion to samson & delilah and you tease me with that term of endearment you know i hate.

we’ve been together now for long enough that we live together. you leave the top off of the jar of honey and sometimes i think you do it on purpose. i hate the feeling of sticky things and protest most uses of tape or glue. i prefer staples and paperclips, you like rubber cement & adhesive. i’ve tried to read into this but you say it isn’t true and giggle behind one hand whenever i bring it up.

we get high together and sometimes when silence falls i enter into the loquela and i start aiming questions at myself about you. i watch how you shift in the chair and chew at a fingernail, then jerk your head to the side when you hear someone on the street outside passing by loudly. our cat mimics you and flees the room with wide, panicked eyes. the way you sit, twisted on top of one leg, hand straddling the armrest as if ready to heave yourself out of the chair at a moment’s notice. i remark on it and you laugh uncomfortably, resettling in a different position. sometimes when i make my observations you look hurt - your eyes darken & you go somewhere just inside of yourself for a small while. you always make the effort to return, though, and smile sunnily as though it never happened.

i worry about you when you’re drinking. you can hold your liquor but any one thing can happen and send you flying, teetering, in a flurry of expressive nonsense punctuated by wild gesticulations and the occasional snorting laugh. you like to hug when you’re drunk, and it’s all right by me but i fear sometimes my irritation is on display. i’m not a very good liar, and you still don’t know this after all this time.

and then we’re someone, the two of us: we get referred to as a singularity, a meiotic cell stuck in metaphase. our hands are fastened together like old baucis & philemon’s trees, firmly, forever, and, like all men, i get nervous at the notion of eternity.

o

i’m changing my name & you’re all for it, enthusiastic & gung-ho. you even fight those little skirmishes for me when friends neglect to heed the shift in nomenclature, standing up like a stormcloud & reminding. there is usually a form of apology or honest recrimination: names are a hard thing for people to remember. once you are who you are, there’s no sideways motion. this morning i was reading about the sun & how it works when it began to rain, and you came in with a mug of coffee and the cat innocently obstructing your path. i could smell the tequila on your breath before you came into the room. i said something about how i felt like i experienced differential rotation even though i was matter and not plasma. you took me seriously for once & we talked about coronal ejections & the magnetic shield of the Earth; of the heliopause & its termination shock; and of the silent, electric whispers of the solar wind. we fell quiet & you laid your head on my shoulder. you have scars on your arm: raised, perfect cicatrices laid like railroad ties near up to the inside of your elbow. a tattoo does not hide them, as was your self-confessed intention, and instead draws attention to them. i kind of love seeing the reaction on strangers’ faces when they notice your handiwork.

sometimes i imagine you like a museum that i am leading a tour of. we are in the bar and you are by my side, drinking with great haste through a plastic straw a very stiff pint of something with bourbon. i am nursing a beer and watching you throw yourself to the conversational wolves again.

o

lately you drink bourbon and i drink gin. we go to the same bar every night, or every other night. you get drunk a lot lately and it makes you amorous. we clamber into bed and fall all over one another, unable to manage our breathing. there’s a lot of quick, flurried laughter that abates once we busy our mouths with each other's lips and tongue. in the hours toward the morning you tell me how you laughed at your aunt’s funeral and how your family hated you.

you think i’m overly aggressive sometimes. you say i can be an asshole and i like it. you like it too. you wear a goofy grin and punch me lightly in the shoulder by way of both admonishment and flirtation. i have conversations with other girls who are bombed on red bull & vodka, who teeter on their heels and ask for a light. explosions of chatter while they twitter on their iPhones and BlackBerries. take pictures of their martinis and post them on their FaceBook. i am making fun of them and they are too wasted to recognize it. you don’t approve, but you don’t disapprove.

& there is always something missing between the two of us. you think it’s dissatisfaction & i think it’s boredom. this town is too small to hold our interest. we make plans to go away, to leave for a proper city. we have been doing this for months now. sometimes you tell our friends that we’re leaving and they express polite surprise but know we’ll do otherwise.

a terrible thing happens somewhere in the world & you are heartsick at it. you volunteer to help in the relief effort and urge me to do the same. this, i fear, is the change that could wreck us. i do not have your level of empathy, but i respect it. i idle in circuitous forms of conversation regarding the terrible thing, i hypothesize on it. i do not have direct conversations regarding the facts, and beg off when it surfaces in the stream of conversation. it is the same with politics and religion. when pressed, i invoke an old scrivener’s paradigm: i would prefer not to. you make your disgusted face at me and ask my opinion: should you go? you explain you’ve never felt so strongly about something in your life - ever. i accept and understand, and everything tells me to tell you to go, go because you know it’s going to make you feel good about yourself and who couldn’t do with a little of that these days, right? but i don’t say that, i don’t tell you those things, i just shrug and say that it’s up to you. it’s your decision.

but it’s your decision too, you say, and your voice feels like an invisible fingertip pressing on my forehead. don’t you want me to stay?

of course i do, i am replying. of course i do.

then i will, you sigh.

you end up going, two weeks later. you leave a note on my pillow, like a movie. it’s brimming with apologies, thorny with your moral agony, and finally resolves itself with a firm dictum of stated intent. you’ve signed it with a heavy hand. at the terminus of the last looping L, the ballpoint of your pen (never pencil) has pierced the thin paper. it looks like you were writing it on your thigh.

you have a terrible habit of misspelling “enviroment”.

o

you are writing a screenplay about it, you are endlessly typing away in the next room. the weird plastic chatter of your laptop’s keyboard. i am watching the rockford files and drinking a Narragansett. while you were gone i had a fling with an old girlfriend and i am fat with the guilt of it. you are absorbed with the clippings of newspapers, your journal entries, the photographs. you talk about it constantly, what it was like, and all of our friends listen. some of us have heard it more than twice now. we allow it but it is wearing on us. or perhaps it is only me.

i lie in bed. you are typing. i pull out my laptop and type, too. to drown out the sound of you with my sound.

you are tired all the time now. you’ve cut coffee out of your diet and i hear constant remarks on how ‘subdued’ you seem. your sleep is at awkward hours, and never for very long. the bulb on the desk lamp has burnt out and been replaced. it was an old bulb. you come to bed at sunrise and seem physically wracked. some nights you sit on the edge of the bed and stare out the window at the world outside blinking its eyes and stretching.

you don’t talk about it anymore. you close the door when you go into the other room and i do not hear the sound of your keys. i go to the bar alone more than i used to. my friends urge me to ask you about it, to talk it through. i don’t know how to tell them i don’t know what to say. the cat and i have become better friends. it used to hate me.

o

you’ve finished your script. it’s terrible. i tell you otherwise. you tell all of our friends that you’ve finished and they congratulate you but when you continue talking about it they go slightly blank and have to maintain their smiles. you don’t know what to do next. i recommend a book i’ve just read and you say you don’t want to read anything right now. you take up painting for awhile. our house is filled with easels and canvases. they’re all violently blue - all you’ve bought for oils are deep prussian and viridian, cadmium white. you are uncontrollably painting the ocean, over and over, from near-benthic to littoral. i am surprised at how good they are. you leave your palette to one side, still smeared with the mix of hues. one morning over breakfast you tell me you’ve been dreaming of the ocean. you don’t know what it means and i tell you it doesn’t matter what it means, it matters how it makes you feel. you confess that it scares you.

reports are still coming in about the terrible thing, and you refuse to listen or hear about it. you shut off the television or walk out of the room or leave the table. you are unhappy inside, and it’s beginning to show.

o

i am talking to you across the kitchen table. you are pretending to be listening to NPR. the cat is nowhere to be found. the television and the radio are both on. i am talking to you about dinner plans. you tell me to stop and i do, but suddenly you start yelling. you snap in a million places. you are white-fisted fury & froth. i am afraid you might hit me and a part of me wants you to. i let you roil for as long as you need to. the bells in the Polish church down the street are ringing for Saturday Mass.